Asset Details
MbrlCatalogueTitleDetail
Do you wish to reserve the book?
Cinematic corpographies : re-mapping the war film through the body
by
Rositzka, Eileen, author
in
War films History and criticism.
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
You are currently in the queue to collect this book. You will be notified once it is your turn to collect the book.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
Do you wish to request the book?
Cinematic corpographies : re-mapping the war film through the body
by
Rositzka, Eileen, author
in
War films History and criticism.
Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
Cinematic corpographies : re-mapping the war film through the body
Book
Cinematic corpographies : re-mapping the war film through the body
Available to read in the library!
Request Book From Autostore
and Choose the Collection Method
Overview
Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic experience of space, the study applies a term recently developed by Derek Gregory within the theoretical framework of Critical Geography. What he calls ?corpography? implies a constant re-mapping of landscape through the soldier?s body. These assumptions can be used as a connection between already established theories of cartographic film narration and ideas of (neo)phenomenological film experience, as they also entail the involvement of the spectator?s body in sensuously grasping what is staged as a mediated experience of war. While cinematic codes of war have long been oriented almost exclusively to the visual, the notion of corpography can help to reframe the concept of film genre in terms of expressive movement patterns and genre memory, avoiding reverting to the usual taxonomies of generic texts.
Item info:
1
item available
1
item total in all locations
| Call Number | Copies | Material | Location |
|---|---|---|---|
| PN1995.9.W3 R675 2018 | 1 | BOOK | AUTOSTORE |
This website uses cookies to ensure you get the best experience on our website.