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Realist Vision
by
Brooks, Peter
in
19th century
/ English and French
/ English fiction
/ English fiction -- 19th century -- History and criticism
/ French and English
/ French fiction
/ French fiction -- 19th century -- History and criticism
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
/ Literature, Comparative
/ Literature, Comparative -- English and French
/ Literature, Comparative -- French and English
/ Realism in art
/ Realism in literature
2005,2008
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Realist Vision
by
Brooks, Peter
in
19th century
/ English and French
/ English fiction
/ English fiction -- 19th century -- History and criticism
/ French and English
/ French fiction
/ French fiction -- 19th century -- History and criticism
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
/ Literature, Comparative
/ Literature, Comparative -- English and French
/ Literature, Comparative -- French and English
/ Realism in art
/ Realism in literature
2005,2008
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Do you wish to request the book?
Realist Vision
by
Brooks, Peter
in
19th century
/ English and French
/ English fiction
/ English fiction -- 19th century -- History and criticism
/ French and English
/ French fiction
/ French fiction -- 19th century -- History and criticism
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
/ Literature, Comparative
/ Literature, Comparative -- English and French
/ Literature, Comparative -- French and English
/ Realism in art
/ Realism in literature
2005,2008
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eBook
Realist Vision
2005,2008
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Overview
Realist Visionexplores the claim to represent the world \"as it is.\" Peter Brooks takes a new look at the realist tradition and its intense interest in the visual. Discussing major English and French novels and paintings from the nineteenth and twentieth centuries, Brooks provides a lively and perceptive view of the realist project.Centering each chapter on a single novel or group of paintings, Brooks examines the \"invention\" of realism beginning with Balzac and Dickens, its apogee in the work of such as Flaubert, Eliot, and Zola, and its continuing force in James and modernists such as Woolf. He considers also the painting of Courbet, Manet, Caillebotte, Tissot, and Lucian Freud, and such recent phenomena as \"photorealism\" and \"reality TV.\"
Publisher
Yale University Press
Subject
ISBN
0300106807, 9780300106800, 9780300138962, 0300138962, 9780300127850, 0300127855
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