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Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art
by
Zell, Michael
in
Amateur Artists
/ ART / History / Renaissance
/ Art and Material Cultures
/ AUP Wetenschappelijk
/ Cultural Studies
/ Dutch Art
/ Early Modern Studies
/ Golden Age
/ HISTORY / Europe / Western
/ HISTORY / Modern / 17th Century
/ History, Art History, and Archaeology
/ Rembrandt
/ South
/ The arts. Fine and decorative arts
/ the Gift
/ Vermeer
2021,2025
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Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art
by
Zell, Michael
in
Amateur Artists
/ ART / History / Renaissance
/ Art and Material Cultures
/ AUP Wetenschappelijk
/ Cultural Studies
/ Dutch Art
/ Early Modern Studies
/ Golden Age
/ HISTORY / Europe / Western
/ HISTORY / Modern / 17th Century
/ History, Art History, and Archaeology
/ Rembrandt
/ South
/ The arts. Fine and decorative arts
/ the Gift
/ Vermeer
2021,2025
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Do you wish to request the book?
Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art
by
Zell, Michael
in
Amateur Artists
/ ART / History / Renaissance
/ Art and Material Cultures
/ AUP Wetenschappelijk
/ Cultural Studies
/ Dutch Art
/ Early Modern Studies
/ Golden Age
/ HISTORY / Europe / Western
/ HISTORY / Modern / 17th Century
/ History, Art History, and Archaeology
/ Rembrandt
/ South
/ The arts. Fine and decorative arts
/ the Gift
/ Vermeer
2021,2025
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Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art
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Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art
2021,2025
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Overview
Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe, and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a \"love of art,\" not materialistic gain. In the merchant republic's vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making.
Publisher
Amsterdam University Press
Subject
ISBN
946372642X, 9789463726429, 9048550645, 9789048550647
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