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American Cinema of the 2010s

by Schreiber, Michele , Bingham, Dennis , Levinson, Julie , Gaines, Mikal J , Smith-Rowsey, Daniel , Greven, David , Haberski, Jr., Raymond, Jr , Keller, Alexandra , Baron, Cynthia , Bode, Lisa

in 2000s / 2000s movies / Academy Awards / American culture / American films / American movies / Avatar / blockbuster / BUSINESS & ECONOMICS / Industries / Entertainment / cultural change / documentaries / Fahrenheit 911 / film studies / Hollywood / Hurrican Katrina / Internet / Jason Bourne / Juno / Matrix / media studies / modern films / Motion pictures / Motion pictures-United States-History / Motion pictures-United States-Plots, themes, etc / new media / PERFORMING ARTS / Film & Video / Guides & Reviews / PERFORMING ARTS / Film & Video / History & Criticism / PERFORMING ARTS / General / popular culture / post 911 / Recreational & performing arts / SOCIAL SCIENCE / Popular Culture / SOCIAL SCIENCE / Media Studies / social studies

2021

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American Cinema of the 2010s

by Schreiber, Michele , Bingham, Dennis , Levinson, Julie , Gaines, Mikal J , Smith-Rowsey, Daniel , Greven, David , Haberski, Jr., Raymond, Jr , Keller, Alexandra , Baron, Cynthia , Bode, Lisa

2021

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American Cinema of the 2010s

by Schreiber, Michele , Bingham, Dennis , Levinson, Julie , Gaines, Mikal J , Smith-Rowsey, Daniel , Greven, David , Haberski, Jr., Raymond, Jr , Keller, Alexandra , Baron, Cynthia , Bode, Lisa

2021

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eBook

American Cinema of the 2010s

Schreiber, Michele,

Bingham, Dennis,

Levinson, Julie,

Gaines, Mikal J,

Smith-Rowsey, Daniel,

Greven, David,

Haberski, Jr., Raymond, Jr,

Keller, Alexandra,

Baron, Cynthia,

Bode, Lisa

2021

Overview

The 2010s were perhaps the most tumultuous decade since the 1960s. The effects of the Great Recession continued to be felt. The administration of Barack Obama, the first African-American president, encouraged many to think that America was now 'post-racial', an illusion broken by the election of Donald Trump. Polarisation reigned, communicated on social media. Netflix and Amazon jumped into production. By 2019, Netflix produced more feature films than the traditional studios combined. Cinema's move from film to digital, in production and in exhibition, was complete by mid-decade. `MeToo and `Oscarssowhite signaled a reckoning with gross gender and racial inequalities in the media, matched by that in the wider culture. The essays of this book explore the blockbusters, low-budget sleepers, and films in between.

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Rutgers University Press

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