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Ripped, torn and cut
by
The Subcultures Network
in
Counterculture
/ Fan magazines
/ Fanzines
/ Film and Media Studies 2020
/ manchesterhive variable pricing textbooks
/ MUSIC / General
/ MUSIC / Genres & Styles / Punk
/ MUSIC / Genres & Styles / Rock
/ MUSIC / Genres & Styles / Salsa see Genres & Styles / Latin
/ Politics
/ Popular Music
/ Punk
/ Punk culture
/ SOCIAL SCIENCE / General
/ SOCIAL SCIENCE / Popular Culture
/ Social sciences
/ Subculture
2026,2018,2023
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Ripped, torn and cut
by
The Subcultures Network
in
Counterculture
/ Fan magazines
/ Fanzines
/ Film and Media Studies 2020
/ manchesterhive variable pricing textbooks
/ MUSIC / General
/ MUSIC / Genres & Styles / Punk
/ MUSIC / Genres & Styles / Rock
/ MUSIC / Genres & Styles / Salsa see Genres & Styles / Latin
/ Politics
/ Popular Music
/ Punk
/ Punk culture
/ SOCIAL SCIENCE / General
/ SOCIAL SCIENCE / Popular Culture
/ Social sciences
/ Subculture
2026,2018,2023
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Do you wish to request the book?
Ripped, torn and cut
by
The Subcultures Network
in
Counterculture
/ Fan magazines
/ Fanzines
/ Film and Media Studies 2020
/ manchesterhive variable pricing textbooks
/ MUSIC / General
/ MUSIC / Genres & Styles / Punk
/ MUSIC / Genres & Styles / Rock
/ MUSIC / Genres & Styles / Salsa see Genres & Styles / Latin
/ Politics
/ Popular Music
/ Punk
/ Punk culture
/ SOCIAL SCIENCE / General
/ SOCIAL SCIENCE / Popular Culture
/ Social sciences
/ Subculture
2026,2018,2023
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Ripped, torn and cut
2026,2018,2023
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Overview
Ripped, torn and cut offers a collection of original essays exploring the motivations behind – and the politics within – the multitude of fanzines that emerged in the wake of British punk from 1976. Sniffin’ Glue (1976–77), Mark Perry’s iconic punk fanzine, was but the first of many, paving the way for hundreds of home-made magazines to be cut and pasted in bedrooms across the UK. From these, glimpses into provincial cultures, teenage style wars and formative political ideas may be gleaned. An alternative history, away from the often-condescending glare of London’s media and music industry, can be formulated, drawn from such titles as Ripped ;amp; Torn, Brass Lip, City Fun, Vague, Kill Your Pet Puppy, Toxic Grafity, Hungry Beat and Hard as Nails. Here, in a pre-internet world, we see the development of networks and the dissemination of punk’s cultural impact as it fractured into myriad sub-scenes: industrial, post-punk, anarcho, Oi!, indie, goth. Ripped, torn and cut brings together academic analysis with practitioner accounts to forge a collaborative history ‘from below’. The first book of its kind, this collection reveals the contested nature of punk’s cultural politics by turning the pages of a vibrant underground press.
Publisher
Manchester University Press
Subject
ISBN
9781526120601, 1526120607, 1526120593, 9781526120595
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