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The Sentimental Theater of the French Revolution
by
Feilla, Cecilia
in
Books and reading
/ Books and reading -- France -- History -- 18th century
/ Early Modern History 1500-1750
/ France -- History -- Revolution, 1789-1799 -- Influence
/ French drama
/ Politics and literature
/ Politics and literature -- France -- History -- 18th century
/ Theater
/ Theater -- France -- History -- 18th century
/ Theater -- Moral and ethical aspects -- France
/ Theater and society
/ Theatre & Performance Studies
2013,2016
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The Sentimental Theater of the French Revolution
by
Feilla, Cecilia
in
Books and reading
/ Books and reading -- France -- History -- 18th century
/ Early Modern History 1500-1750
/ France -- History -- Revolution, 1789-1799 -- Influence
/ French drama
/ Politics and literature
/ Politics and literature -- France -- History -- 18th century
/ Theater
/ Theater -- France -- History -- 18th century
/ Theater -- Moral and ethical aspects -- France
/ Theater and society
/ Theatre & Performance Studies
2013,2016
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Do you wish to request the book?
The Sentimental Theater of the French Revolution
by
Feilla, Cecilia
in
Books and reading
/ Books and reading -- France -- History -- 18th century
/ Early Modern History 1500-1750
/ France -- History -- Revolution, 1789-1799 -- Influence
/ French drama
/ Politics and literature
/ Politics and literature -- France -- History -- 18th century
/ Theater
/ Theater -- France -- History -- 18th century
/ Theater -- Moral and ethical aspects -- France
/ Theater and society
/ Theatre & Performance Studies
2013,2016
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eBook
The Sentimental Theater of the French Revolution
2013,2016
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Overview
Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.
Publisher
Routledge,Taylor and Francis,Taylor & Francis Group,Ashgate
Subject
/ Books and reading -- France -- History -- 18th century
/ Early Modern History 1500-1750
/ France -- History -- Revolution, 1789-1799 -- Influence
/ Politics and literature -- France -- History -- 18th century
/ Theater
/ Theater -- France -- History -- 18th century
ISBN
140941163X, 9781409411635
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