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Special Affects
by
Jenkins, Eric
in
Affect (Psychology) in motion pictures
/ Animated films
/ Animated films - Economic aspects - United States
/ Consumption (Economics)
/ Film Studies
/ Film, Media & Cultural Studies
/ PERFORMING ARTS / Film & Video / General
/ PERFORMING ARTS / Film & Video / History & Criticism
/ PERFORMING ARTS / Film & Video / Reference
2014,2016
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Special Affects
by
Jenkins, Eric
in
Affect (Psychology) in motion pictures
/ Animated films
/ Animated films - Economic aspects - United States
/ Consumption (Economics)
/ Film Studies
/ Film, Media & Cultural Studies
/ PERFORMING ARTS / Film & Video / General
/ PERFORMING ARTS / Film & Video / History & Criticism
/ PERFORMING ARTS / Film & Video / Reference
2014,2016
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Do you wish to request the book?
Special Affects
by
Jenkins, Eric
in
Affect (Psychology) in motion pictures
/ Animated films
/ Animated films - Economic aspects - United States
/ Consumption (Economics)
/ Film Studies
/ Film, Media & Cultural Studies
/ PERFORMING ARTS / Film & Video / General
/ PERFORMING ARTS / Film & Video / History & Criticism
/ PERFORMING ARTS / Film & Video / Reference
2014,2016
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eBook
Special Affects
2014,2016
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Overview
The emergence of these media enables new modes of perception that create 'special' sensations of wonder, astonishment, marvel and the fantastic. Such affections subsequently become mined by consumer industries for profit, thereby explaining the connection between media and consumerism that today seems inherent to the culture industry. Such modes and their affections are also translated into ideology, as American culture seeks to make sense of the sociocultural changes accompanying these new media, particularly as specific versions of American Dream narratives. Special Affects is the first extended exploration of the connection between media and consumerism, and the first book to extensively apply Deleuzian film theory to animation. Its exploration of the connection between the animated form and consumerism, and its re-examination of twentieth-century animation from the perspective of affect, makes this an engaging and essential read for film-philosophy scholars and students.
Publisher
Edinburgh University Press
Subject
ISBN
0748695478, 9780748695478
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