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Critical Shift
by
Georgi, Karen L
in
1818-1888
/ 1828-1900
/ 1828-1901
/ 19th century
/ American
/ Art & Art History
/ ART / American / General
/ ART / Criticism
/ ART / History / General
/ Art, American
/ Art-Idea
/ Clarence Cook Art History Art
/ Cook, Clarence
/ Cook, Clarence, 1828-1900
/ Criticism and interpretation
/ Criticism Nineteenth-Century American Art
/ Historiography
/ History
/ James Jackson Jarves
/ Jarves, James Jackson
/ Jarves, James Jackson, 1818-1888
/ Karen L. Georgi
/ Stillman, William James
/ Stillman, William James, 1828–1901
/ United States
/ usa
/ William J. Stillman
2013
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Critical Shift
by
Georgi, Karen L
in
1818-1888
/ 1828-1900
/ 1828-1901
/ 19th century
/ American
/ Art & Art History
/ ART / American / General
/ ART / Criticism
/ ART / History / General
/ Art, American
/ Art-Idea
/ Clarence Cook Art History Art
/ Cook, Clarence
/ Cook, Clarence, 1828-1900
/ Criticism and interpretation
/ Criticism Nineteenth-Century American Art
/ Historiography
/ History
/ James Jackson Jarves
/ Jarves, James Jackson
/ Jarves, James Jackson, 1818-1888
/ Karen L. Georgi
/ Stillman, William James
/ Stillman, William James, 1828–1901
/ United States
/ usa
/ William J. Stillman
2013
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Critical Shift
by
Georgi, Karen L
in
1818-1888
/ 1828-1900
/ 1828-1901
/ 19th century
/ American
/ Art & Art History
/ ART / American / General
/ ART / Criticism
/ ART / History / General
/ Art, American
/ Art-Idea
/ Clarence Cook Art History Art
/ Cook, Clarence
/ Cook, Clarence, 1828-1900
/ Criticism and interpretation
/ Criticism Nineteenth-Century American Art
/ Historiography
/ History
/ James Jackson Jarves
/ Jarves, James Jackson
/ Jarves, James Jackson, 1818-1888
/ Karen L. Georgi
/ Stillman, William James
/ Stillman, William James, 1828–1901
/ United States
/ usa
/ William J. Stillman
2013
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Critical Shift
2013
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Overview
American Civil-War era art critics James Jackson Jarves, Clarence Cook, and William J. Stillman classified styles and defined art in terms that have become fundamental to our modern periodization of the art of the nineteenth century. In Critical Shift, Karen Georgi re-reads many of their well-known texts, finding certain key discrepancies between their words and our historiography, pointing to unrecognized narrative desires. The book also studies ruptures and revolutionary breaks between “old” and “new” art, as well as the issue of the morality of “true” art. Georgi asserts that these concepts and their sometimes-loaded expression were part of larger rhetorical structures that gainsay the uses to which the key terms have been put in modern historiography. It has been more than fifty years since a book has been devoted to analyzing the careers of these three critics; and never before has their role in the historiography and periodization of American art been analyzed. The conclusions drawn from this close re-reading of well-known texts are significant for more than just our understanding of nineteenth century criticism. They challenge the fundamental nature of “historical context” in American art history.
Publisher
Penn State University Press,Pennsylvania State University Press
Subject
ISBN
0271060662, 9780271060668, 9780271062471, 0271062479
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