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From fidelity to history
by
Scholz, Anne-Marie
in
APFA
/ Cultural Studies (General)
/ Film & Video
/ Film adaptations
/ Film adaptations -- History and criticism
/ Film and Television Studies
/ Film Studies
/ HBTZ1
/ History
/ HISTORY / General
/ History and criticism
/ History: 20th Century to Present
/ Motion pictures and history
/ Motion pictures and literature
/ PERFORMING ARTS
/ PERFORMING ARTS / Film / General
/ Social History
2013,2022
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From fidelity to history
by
Scholz, Anne-Marie
in
APFA
/ Cultural Studies (General)
/ Film & Video
/ Film adaptations
/ Film adaptations -- History and criticism
/ Film and Television Studies
/ Film Studies
/ HBTZ1
/ History
/ HISTORY / General
/ History and criticism
/ History: 20th Century to Present
/ Motion pictures and history
/ Motion pictures and literature
/ PERFORMING ARTS
/ PERFORMING ARTS / Film / General
/ Social History
2013,2022
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Do you wish to request the book?
From fidelity to history
by
Scholz, Anne-Marie
in
APFA
/ Cultural Studies (General)
/ Film & Video
/ Film adaptations
/ Film adaptations -- History and criticism
/ Film and Television Studies
/ Film Studies
/ HBTZ1
/ History
/ HISTORY / General
/ History and criticism
/ History: 20th Century to Present
/ Motion pictures and history
/ Motion pictures and literature
/ PERFORMING ARTS
/ PERFORMING ARTS / Film / General
/ Social History
2013,2022
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From fidelity to history
2013,2022
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Overview
Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies— including the films Sense and Sensibility (1995) and The Portrait of a Lady (1997), and the classics The Third Man (1949) and The Bridge on the River Kwai (1957)—the author demonstrates the ways adapted literary works function as social and cultural events in history and how these become important sites of cultural negotiation and struggle.
Publisher
Berghahn Books,Berghahn Books, Incorporated
Subject
ISBN
9780857457318, 0857457314, 0857457322, 9780857457325
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