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Black soundscapes white stages : the meaning of Francophone sound in the black Atlantic
by
Hill, Edwin C.
in
African diaspora in literature
/ Beguines (Music)
/ Beguines (Music) -- West Indies, French -- History and criticism
/ Beguines (Music)-West Indies, French-History
/ Black people-West Indies, French-Music-History
/ Black Studies (Global)
/ Blacks
/ Blacks -- West Indies, French -- Music -- History and criticism
/ Film & Video
/ History & Criticism
/ LITERARY CRITICISM
/ Negritude (Literary movement)
/ PERFORMING ARTS
/ Poetics
/ Poetics -- Language
/ Semiotics & Theory
/ SOCIAL SCIENCE
/ Sound (Philosophy)
/ Soundscapes (Music)
/ Soundscapes (Music) -- West Indies, French
/ West Indian literature (French)
/ West Indian literature (French) -- History and criticism
/ West Indies, French -- Colonization
2013
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Black soundscapes white stages : the meaning of Francophone sound in the black Atlantic
by
Hill, Edwin C.
in
African diaspora in literature
/ Beguines (Music)
/ Beguines (Music) -- West Indies, French -- History and criticism
/ Beguines (Music)-West Indies, French-History
/ Black people-West Indies, French-Music-History
/ Black Studies (Global)
/ Blacks
/ Blacks -- West Indies, French -- Music -- History and criticism
/ Film & Video
/ History & Criticism
/ LITERARY CRITICISM
/ Negritude (Literary movement)
/ PERFORMING ARTS
/ Poetics
/ Poetics -- Language
/ Semiotics & Theory
/ SOCIAL SCIENCE
/ Sound (Philosophy)
/ Soundscapes (Music)
/ Soundscapes (Music) -- West Indies, French
/ West Indian literature (French)
/ West Indian literature (French) -- History and criticism
/ West Indies, French -- Colonization
2013
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Do you wish to request the book?
Black soundscapes white stages : the meaning of Francophone sound in the black Atlantic
by
Hill, Edwin C.
in
African diaspora in literature
/ Beguines (Music)
/ Beguines (Music) -- West Indies, French -- History and criticism
/ Beguines (Music)-West Indies, French-History
/ Black people-West Indies, French-Music-History
/ Black Studies (Global)
/ Blacks
/ Blacks -- West Indies, French -- Music -- History and criticism
/ Film & Video
/ History & Criticism
/ LITERARY CRITICISM
/ Negritude (Literary movement)
/ PERFORMING ARTS
/ Poetics
/ Poetics -- Language
/ Semiotics & Theory
/ SOCIAL SCIENCE
/ Sound (Philosophy)
/ Soundscapes (Music)
/ Soundscapes (Music) -- West Indies, French
/ West Indian literature (French)
/ West Indian literature (French) -- History and criticism
/ West Indies, French -- Colonization
2013
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Black soundscapes white stages : the meaning of Francophone sound in the black Atlantic
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Black soundscapes white stages : the meaning of Francophone sound in the black Atlantic
2013
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Overview
An innovative look at the dynamic role of sound in the culture of the African Diaspora as found in poetry, film, travel narratives, and popular music.
Black Soundscapes White Stages explores the role of sound in understanding the African Diaspora on both sides of the Atlantic, from the City of Light to the islands of the French Antilles. From the writings of European travelers in the seventeenth century to short-wave radio transmissions in the early twentieth century, Edwin C. Hill Jr. uses music, folk song, film, and poetry to listen for the tragic cri nègre.
Building a conceptualization of black Atlantic sound inspired by Frantz Fanon's pioneering work on colonial speech and desire, Hill contends that sound constitutes a terrain of contestation, both violent and pleasurable, where colonial and anti-colonial ideas about race and gender are critically imagined, inscribed, explored, and resisted. In the process, this book explores the dreams and realizations of black diasporic mobility and separation as represented by some of its most powerful soundtexts and cultural practitioners, and it poses questions about their legacies for us today.
In the process, thee dreams and realities of Black Atlantic mobility and separation as represented by some of its most powerful soundtexts and cultural practitioners, such as the poetry of Léon-Gontran Damas—a founder of the Négritude movement—and Josephine Baker's performance in the 1935 film Princesse Tam Tam. As the first in Johns Hopkins's new series on the African Diaspora, this book offers new insight into the legacies of these exceptional artists and their global influence.
Publisher
Johns Hopkins University Press,The Johns Hopkins University Press
Subject
African diaspora in literature
/ Beguines (Music) -- West Indies, French -- History and criticism
/ Beguines (Music)-West Indies, French-History
/ Black people-West Indies, French-Music-History
/ Blacks
/ Blacks -- West Indies, French -- Music -- History and criticism
/ Negritude (Literary movement)
/ Poetics
/ Soundscapes (Music) -- West Indies, French
/ West Indian literature (French)
ISBN
9781421410593, 1421410591, 9781421410609, 1421410605
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