eBook

Serials to Graphic Novels

Golden, Catherine J

2017

Overview

\"A valuable and comprehensive survey of an enormous subject.\"--Paul Goldman, author ofReading Victorian Illustration, 1855-1875: Spoils of the Lumber Room \"A marvelous overview of how and why illustrations became an integral part of Victorian fiction. Golden documents a remarkable continuity from early nineteenth-century caricatures to realistic portrait-based illustrations to current graphic rewritings of familiar classics.\"--Martha Vicinus, author ofIntimate Friends: Women Who Loved Women, 1778-1928 \"A capacious and synthetic work that draws on a wide variety of scholarship, a very impressive command of the history of book illustration, a huge array of visual and verbal texts, and (most important) a commitment to the genreas a genre in the history of literary and artistic form.\"--Peter Betjemann, author ofTalking Shop: The Language of Craft in an Age of Consumption The Victorian illustrated book came into being, flourished, and evolved during the nineteenth century. Catherine Golden offers a new framework for viewing the arc of this vibrant form and surveys the fluidity in styles of illustration in serial instalments, British and American periodicals, adult and children's literature, and--more recently--graphic novels. Golden examines widely recognized illustrated texts, such asThe Pickwick Papers, Oliver Twist, Alice in Wonderland, andPeter Rabbit, and finds new expressions of this traditional genre in present-day graphic novel adaptations of the works of Austen, Dickens, and Trollope, as well as Neo-Victorian graphic novels likeThe League of Extraordinary Gentlemen. She explores the various factors that contributed to the early popularity of the illustrated book--the growth of commodity culture, a rise in literacy, new printing technologies--and how these ultimately created a mass market for new fiction. While existing scholarship on Victorian illustrators largely centers on the Household Edition of Dickens or the realist artists of the \"Sixties,\" notably Fred Barnard and John Tenniel, this volume examines the lifetime of the Victorian illustrated book. It also discusses how a particular canon has been refashioned and repurposed for new generations of readers. Catherine J. Golden, professor of English at Skidmore College, is author of several books, includingPosting It: The Victorian Revolution in Letter Writing.\"A valuable and comprehensive survey of an enormous subject.\"--Paul Goldman, author ofReading Victorian Illustration, 1855-1875: Spoils of the Lumber Room \"A marvelous overview of how and why illustrations became an integral part of Victorian fiction. Golden documents a remarkable continuity from early nineteenth-century caricatures to realistic portrait-based illustrations to current graphic rewritings of familiar classics.\"--Martha Vicinus, author ofIntimate Friends: Women Who Loved Women, 1778-1928 \"A capacious and synthetic work that draws on a wide variety of scholarship, a very impressive command of the history of book illustration, a huge array of visual and verbal texts, and (most important) a commitment to the genreas a genre in the history of literary and artistic form.\"--Peter Betjemann, author ofTalking Shop: The Language of Craft in an Age of Consumption The Victorian illustrated book came into being, flourished, and evolved during the nineteenth century. Catherine Golden offers a new framework for viewing the arc of this vibrant form and surveys the fluidity in styles of illustration in serial instalments, British and American periodicals, adult and children's literature, and--more recently--graphic novels. Golden examines widely recognized illustrated texts, such asThe Pickwick Papers, Oliver Twist, Alice in Wonderland, andPeter Rabbit, and finds new expressions of this traditional genre in present-day graphic novel adaptations of the works of Austen, Dickens, and Trollope, as well as Neo-Victorian graphic novels likeThe League of Extraordinary Gentlemen. She explores the various factors that contributed to the early popularity of the illustrated book--the growth of commodity culture, a rise in literacy, new printing technologies--and how these ultimately created a mass market for new fiction. While existing scholarship on Victorian illustrators largely centers on the Household Edition of Dickens or the realist artists of the \"Sixties,\" notably Fred Barnard and John Tenniel, this volume examines the lifetime of the Victorian illustrated book. It also discusses how a particular canon has been refashioned and repurposed for new generations of readers. Catherine J. Golden, professor of English at Skidmore College, is author of several books, includingPosting It: The Victorian Revolution in Letter Writing.

• Publisher: University Press of Florida
• Subject: Caricatures and cartoons / Caricatures and cartoons -- History / Comics & Graphic Novels / European / European Studies / Graphic novels / Graphic novels -- History / Great Britain / History / Illustration of books / Illustration of books -- History / Illustration of books, Victorian / Illustration of books, Victorian -- Great Britain -- History / Language & Literature / LITERARY CRITICISM / Serial publications / Serial publications -- History
• ISBN: 9780813062297, 0813062292