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Wagner, Schumann, and the lessons of Beethoven’s Ninth
by
Reynolds, Christopher Alan
in
1770-1827
/ 1810-1856
/ 1813-1883
/ 18th century composers
/ 19th century
/ 19th century classical music
/ 19th century composers
/ Analysis, appreciation
/ bach
/ beethoven
/ Beethoven, Ludwig van
/ Beethoven, Ludwig van, 1770–1827
/ Beethoven, Ludwig van, 1770–1827. Symphonies, no. 9, op. 125, D minor
/ beethovens influence
/ beethovens influence on music
/ beethovens ninth symphony
/ brahms
/ Classical
/ classical composers
/ classical music
/ classical music studies
/ contrary motion
/ contrary motion in music
/ Criticism and interpretation
/ D minor
/ Influence
/ ludwig von beethoven
/ MUSIC
/ MUSIC / General
/ MUSIC / Individual Composer & Musician
/ music composition
/ music history
/ musical theory
/ musicians
/ no. 9, op. 125
/ schumann
/ Schumann, Robert
/ Schumann, Robert, 1810–1856
/ Symphonies
/ symphony
/ symphony composers
/ the flying dutchman
/ wagner
/ Wagner, Richard
/ Wagner, Richard, 1813–1883
2015,2019
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Wagner, Schumann, and the lessons of Beethoven’s Ninth
by
Reynolds, Christopher Alan
in
1770-1827
/ 1810-1856
/ 1813-1883
/ 18th century composers
/ 19th century
/ 19th century classical music
/ 19th century composers
/ Analysis, appreciation
/ bach
/ beethoven
/ Beethoven, Ludwig van
/ Beethoven, Ludwig van, 1770–1827
/ Beethoven, Ludwig van, 1770–1827. Symphonies, no. 9, op. 125, D minor
/ beethovens influence
/ beethovens influence on music
/ beethovens ninth symphony
/ brahms
/ Classical
/ classical composers
/ classical music
/ classical music studies
/ contrary motion
/ contrary motion in music
/ Criticism and interpretation
/ D minor
/ Influence
/ ludwig von beethoven
/ MUSIC
/ MUSIC / General
/ MUSIC / Individual Composer & Musician
/ music composition
/ music history
/ musical theory
/ musicians
/ no. 9, op. 125
/ schumann
/ Schumann, Robert
/ Schumann, Robert, 1810–1856
/ Symphonies
/ symphony
/ symphony composers
/ the flying dutchman
/ wagner
/ Wagner, Richard
/ Wagner, Richard, 1813–1883
2015,2019
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Wagner, Schumann, and the lessons of Beethoven’s Ninth
by
Reynolds, Christopher Alan
in
1770-1827
/ 1810-1856
/ 1813-1883
/ 18th century composers
/ 19th century
/ 19th century classical music
/ 19th century composers
/ Analysis, appreciation
/ bach
/ beethoven
/ Beethoven, Ludwig van
/ Beethoven, Ludwig van, 1770–1827
/ Beethoven, Ludwig van, 1770–1827. Symphonies, no. 9, op. 125, D minor
/ beethovens influence
/ beethovens influence on music
/ beethovens ninth symphony
/ brahms
/ Classical
/ classical composers
/ classical music
/ classical music studies
/ contrary motion
/ contrary motion in music
/ Criticism and interpretation
/ D minor
/ Influence
/ ludwig von beethoven
/ MUSIC
/ MUSIC / General
/ MUSIC / Individual Composer & Musician
/ music composition
/ music history
/ musical theory
/ musicians
/ no. 9, op. 125
/ schumann
/ Schumann, Robert
/ Schumann, Robert, 1810–1856
/ Symphonies
/ symphony
/ symphony composers
/ the flying dutchman
/ wagner
/ Wagner, Richard
/ Wagner, Richard, 1813–1883
2015,2019
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eBook
Wagner, Schumann, and the lessons of Beethoven’s Ninth
2015,2019
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Overview
In this original study, Christopher Alan Reynolds examines the influence of Beethoven's Ninth Symphony on two major nineteenth-century composers, Richard Wagner and Robert Schumann. During 1845-46 the compositional styles of Schumann and Wagner changed in a common direction, toward a style that was more contrapuntal, more densely motivic, and engaged in processes of thematic transformation. Reynolds shows that the stylistic advances that both composers made in Dresden in 1845-46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony. The evidence provided by their compositions from this pivotal year and the surrounding years suggests that they discussed Beethoven's Ninth with each other in the months leading up to the performance of this work, which Wagner conducted on Palm Sunday in 1846. Two primary aspects that appear to have interested them both are Beethoven's use of counterpoint involving contrary motion and his gradual development of the \"Ode to Joy\" melody through the preceding movements. Combining a novel examination of the historical record with careful readings of the music, Reynolds adds further layers to this argument, speculating that Wagner and Schumann may not have come to these discoveries entirely independently of each other. The trail of influences that Reynolds explores extends back to the music of Bach and ahead toTristan and Isolde,as well as to Brahms's First Symphony.
Publisher
University of California Press
Subject
/ 19th century classical music
/ bach
/ Beethoven, Ludwig van, 1770–1827
/ Beethoven, Ludwig van, 1770–1827. Symphonies, no. 9, op. 125, D minor
/ beethovens influence on music
/ brahms
/ Criticism and interpretation
/ D minor
/ MUSIC
/ MUSIC / Individual Composer & Musician
/ schumann
/ symphony
/ wagner
ISBN
9780520285569, 0520960971, 9780520960978, 0520285565
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