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America is elsewhere : the noir tradition in the age of consumer culture
by
Dussere, Erik
in
Detective and mystery stories, American
/ Detective and mystery stories, American -- History and criticism
/ Film noir
/ Film noir -- United States -- History and criticism
/ History and criticism
/ Literary Studies (American)
/ Masculinity in literature
/ National characteristics, American, in literature
/ Noir fiction, American
/ Noir fiction, American -- History and criticism
/ United States
2014,2013
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America is elsewhere : the noir tradition in the age of consumer culture
by
Dussere, Erik
in
Detective and mystery stories, American
/ Detective and mystery stories, American -- History and criticism
/ Film noir
/ Film noir -- United States -- History and criticism
/ History and criticism
/ Literary Studies (American)
/ Masculinity in literature
/ National characteristics, American, in literature
/ Noir fiction, American
/ Noir fiction, American -- History and criticism
/ United States
2014,2013
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Do you wish to request the book?
America is elsewhere : the noir tradition in the age of consumer culture
by
Dussere, Erik
in
Detective and mystery stories, American
/ Detective and mystery stories, American -- History and criticism
/ Film noir
/ Film noir -- United States -- History and criticism
/ History and criticism
/ Literary Studies (American)
/ Masculinity in literature
/ National characteristics, American, in literature
/ Noir fiction, American
/ Noir fiction, American -- History and criticism
/ United States
2014,2013
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America is elsewhere : the noir tradition in the age of consumer culture
eBook
America is elsewhere : the noir tradition in the age of consumer culture
2014,2013
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Overview
The book conceives the literary and cinematic category of “noir” as a way of understanding the defining conflict between authenticity and consumer culture in post–World War II America. It analyzes works of fiction and film in order to argue that both contribute to a “noir tradition” that is initiated around the end of World War II and continues to develop and evolve in the present. All of noir’s evolutions have taken place as responses to consumer culture; in the postwar era this consumer culture has become conflated with American citizenship, and the noir tradition presents itself as an “authentic” alternative to this republic of consumption. In order to see how noir and its descendants stage the confrontation between consumer culture and authenticity, my analysis is concentrated on how the texts that I write about represent various kinds of American commercial spaces. This analysis has a three-part structure, organized around the three key moments in the development of the noir tradition that I identify: (1) the postwar moment, as represented by classic film noir and hard-boiled detective fiction; (2) the sixties era, during which noir film and fiction are transformed and take the new form of the conspiracy narrative; and (3) the post-eighties period of dominant postmodernism, in which noir themes and aesthetics are revived, with a difference, to facilitate ways of responding to the phenomenon of global capitalism.
Publisher
Oxford University Press,Oxford University Press, Incorporated
Subject
ISBN
9780199969920, 0199969922, 9780199969913, 0199969914
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