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The Ebony Column
by
Hairston, Eric Ashley
in
African American authors
/ African American Studies
/ African Americans
/ American
/ American literature
/ American literature -- African American authors -- History and criticism
/ American literature -- Classical influences
/ American Studies
/ Classical influences
/ Classicism in literature
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
2013
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The Ebony Column
by
Hairston, Eric Ashley
in
African American authors
/ African American Studies
/ African Americans
/ American
/ American literature
/ American literature -- African American authors -- History and criticism
/ American literature -- Classical influences
/ American Studies
/ Classical influences
/ Classicism in literature
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
2013
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Do you wish to request the book?
The Ebony Column
by
Hairston, Eric Ashley
in
African American authors
/ African American Studies
/ African Americans
/ American
/ American literature
/ American literature -- African American authors -- History and criticism
/ American literature -- Classical influences
/ American Studies
/ Classical influences
/ Classicism in literature
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
2013
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The Ebony Column
2013
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Overview
In
The Ebony Column , Eric Ashley Hairston begins a new
thread in the ongoing conversation about the influence of Greek
and Roman antiquity on U.S. civilization and education. While
that discussion has yielded many exceptional insights into
antiquity and the American experience, it has so regularly elided
the African American component that all classical influence on
black writing and thought seems to vanish. That omission,
Hairston contends, is disturbing not least because of its
longevity— from an early period of overt stereotyping and
institutionalized racism right up to the contemporary and, one
would hope, more cosmopolitan and enlightened era. Challenging
and correcting that persistent shortsightedness, Hairston
examines several prominent black writers’ and
scholars’ deep investment in the classics as individuals,
as well as the broader cultural investment in the classics and
the values of the ancient world. Beginning with the
late-eighteenth-century verse of Phillis Wheatley, whose
classically inspired poems functioned as a kind of Trojan horse
to defeat white oppression, Hairston goes on to consider the
oratory of Frederick Douglass, whose rhetoric and ideas of virtue
were much influenced by Cicero, and the writings of educator Anna
Julia Cooper, whose classical training was a key source of her
vibrant feminism. Finally, he offers a fresh examination of W. E.
B. DuBois’s seminal
The Souls of Black Folk (1903) and its debt to
antiquity, which volumes of commentary have largely overlooked.
The first book to appear in a new series, Classicism in American
Culture,
The Ebony
Column passionately demonstrates how the myths,
cultures, and ideals of antiquity helped African Americans
reconceptualize their role in a Euro-American world determined to
make them mere economic commodities and emblems of moral and
intellectual decay. To figures such as Wheatley, Douglass,
Cooper, and DuBois, classical literature offered striking moral,
intellectual, and philosophical alternatives to a viciously
exclusionary vision of humanity, Africanity, the life of the
citizen, and the life of the mind.
Publisher
University of Tennessee Press,The University of Tennessee Press
Subject
ISBN
1621902307, 9781621902300, 9781572339422, 157233942X, 1572339845, 9781572339842
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