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Traditional Monster Imagery in Manga, Anime and Japanese Cinema
by
Papp, Zília
in
20th century
/ Animated films
/ Animated films -- Japan -- History and criticism
/ Art, Japanese
/ Art, Japanese -- 20th century
/ Art, Japanese -- Western influences
/ Comic books, strips, etc
/ Comic books, strips, etc. -- Japan -- History and criticism
/ History
/ History and criticism
/ Japan
/ Monsters in art
/ Motion pictures
/ Motion pictures -- Japan -- History
2011,2010
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Traditional Monster Imagery in Manga, Anime and Japanese Cinema
by
Papp, Zília
in
20th century
/ Animated films
/ Animated films -- Japan -- History and criticism
/ Art, Japanese
/ Art, Japanese -- 20th century
/ Art, Japanese -- Western influences
/ Comic books, strips, etc
/ Comic books, strips, etc. -- Japan -- History and criticism
/ History
/ History and criticism
/ Japan
/ Monsters in art
/ Motion pictures
/ Motion pictures -- Japan -- History
2011,2010
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Do you wish to request the book?
Traditional Monster Imagery in Manga, Anime and Japanese Cinema
by
Papp, Zília
in
20th century
/ Animated films
/ Animated films -- Japan -- History and criticism
/ Art, Japanese
/ Art, Japanese -- 20th century
/ Art, Japanese -- Western influences
/ Comic books, strips, etc
/ Comic books, strips, etc. -- Japan -- History and criticism
/ History
/ History and criticism
/ Japan
/ Monsters in art
/ Motion pictures
/ Motion pictures -- Japan -- History
2011,2010
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Traditional Monster Imagery in Manga, Anime and Japanese Cinema
eBook
Traditional Monster Imagery in Manga, Anime and Japanese Cinema
2011,2010
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Overview
Traditional Monster Imagery in Manga, Anime and Japanese Cinema builds on the earlier volume Anime and its Roots in Early Japanese Monster Art, that aimed to position contemporary Japanese animation within a wider art historical context by tracing the development of monster representations in Edo- and Meiji-period art works and post-war visual media. While the previous volume concentrated on modern media representations, this work focuses on how Western art historical concepts and methodology might be adapted when considering non-Western works, introducing traditional monster art in more detail, while also maintaining its links to post-war animation, sequential art and Japanese cinema. The book aims at a general readership interested in Japanese art and media as well as graduate students who might be searching for a research model within the fields of Animation Studies, Media Studies or Visual Communication Design.
Publisher
Global Oriental,BRILL
Subject
ISBN
9781906876524, 1906876525
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