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British State Romanticism
by
Anne Frey
in
19th century
/ British Studies
/ English literature
/ English literature -- 19th century -- History and criticism
/ European Studies
/ Great Britain
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
/ Literature and state
/ Literature and state -- Great Britain
/ Nationalism and literature
/ Nationalism and literature -- Great Britain
/ Romanticism
/ Romanticism -- Great Britain
2009,2010
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British State Romanticism
by
Anne Frey
in
19th century
/ British Studies
/ English literature
/ English literature -- 19th century -- History and criticism
/ European Studies
/ Great Britain
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
/ Literature and state
/ Literature and state -- Great Britain
/ Nationalism and literature
/ Nationalism and literature -- Great Britain
/ Romanticism
/ Romanticism -- Great Britain
2009,2010
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Do you wish to request the book?
British State Romanticism
by
Anne Frey
in
19th century
/ British Studies
/ English literature
/ English literature -- 19th century -- History and criticism
/ European Studies
/ Great Britain
/ History and criticism
/ Language & Literature
/ LITERARY CRITICISM
/ Literature and state
/ Literature and state -- Great Britain
/ Nationalism and literature
/ Nationalism and literature -- Great Britain
/ Romanticism
/ Romanticism -- Great Britain
2009,2010
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eBook
British State Romanticism
2009,2010
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Overview
British State Romanticism contends that changing definitions of state power in the late Romantic period propelled authors to revisit the work of literature as well as the profession of authorship. Traditionally, critics have seen the Romantics as imaginative geniuses and viewed the supposedly less imaginative character of their late work as evidence of declining abilities. Frey argues, in contrast, that late Romanticism offers an alternative aesthetic model that adjusts authorship to work within an expanding and bureaucratizing state. She examines how Wordsworth, Coleridge, Austen, Scott, and De Quincey portray specific state and imperial agencies to debate what constituted government power, through what means government penetrated individual lives, and how non-governmental figures could assume government authority. Defining their work as part of an expanding state, these writers also reworked Romantic structures such as the imagination, organic form, and the literary sublime to operate through state agencies and to convey membership in a nation.
Publisher
Stanford University Press
Subject
ISBN
9780804762281, 0804762287, 9780804773485, 0804773483
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