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The cinema of the coen brothers
by
Adams, Jeffrey
in
Art & Art History
/ ART / Film & Video
/ Coen, Ethan
/ Coen, Joel
/ Criticism and interpretation
/ Film Studies
/ Motion picture producers and directors
/ Motion pictures
/ Motion pictures--Production and direction
/ PERFORMING ARTS
/ PERFORMING ARTS / Film & Video / History & Criticism
/ Production and direction
/ United States
2015
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The cinema of the coen brothers
by
Adams, Jeffrey
in
Art & Art History
/ ART / Film & Video
/ Coen, Ethan
/ Coen, Joel
/ Criticism and interpretation
/ Film Studies
/ Motion picture producers and directors
/ Motion pictures
/ Motion pictures--Production and direction
/ PERFORMING ARTS
/ PERFORMING ARTS / Film & Video / History & Criticism
/ Production and direction
/ United States
2015
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Do you wish to request the book?
The cinema of the coen brothers
by
Adams, Jeffrey
in
Art & Art History
/ ART / Film & Video
/ Coen, Ethan
/ Coen, Joel
/ Criticism and interpretation
/ Film Studies
/ Motion picture producers and directors
/ Motion pictures
/ Motion pictures--Production and direction
/ PERFORMING ARTS
/ PERFORMING ARTS / Film & Video / History & Criticism
/ Production and direction
/ United States
2015
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eBook
The cinema of the coen brothers
2015
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Overview
The films of the Coen brothers have become a contemporary cultural phenomenon. Highly acclaimed and commercially successful, over the years their movies have attracted increasingly larger audiences and spawned a subculture of dedicated fans. Shunning fame and celebrity, Ethan and Joel Coen remain maverick filmmakers, producing and directing independent films outside the Hollywood mainstream in a unique style combining classic genres like film noir with black comedy to tell off-beat stories about America and the American Dream. This study surveys Oscar-winning films, such asFargo(1996) andNo Country for Old Men(2007), as well as cult favorites, includingO Brother, Where Art Thou?(2000) andThe Big Lebowski(1998). Beginning withBlood Simple(1984), it examines major themes and generic constructs and offers diverse approaches to the Coens' enigmatic films. Pointing to the pulp fiction of Dashiell Hammett, James M. Cain, and Raymond Chandler, the study appreciates the postmodern aesthetics of the Coens' intertextual creativity.
Publisher
Columbia University Press,Wallflower Press
Subject
ISBN
0231174616, 9780231174619, 9780231850810, 0231850816, 0231174608, 9780231174602
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