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Thinking Its Presence
by
Dorothy J. Wang
in
American poetry
/ American poetry -- Asian American authors -- History and criticism
/ American poetry -- History and criticism -- Theory, etc
/ American Studies
/ Asian American
/ Asian American authors
/ cultural studies
/ History and criticism
/ John Yau
/ Language & Literature
/ Li-Young Lee
/ LITERARY CRITICISM
/ LITERARY CRITICISM / General
/ LITERARY CRITICISM / Poetry
/ Literary form
/ literary history
/ Marilyn Chin
/ Mei-mei Berssenbrugge
/ Pamela Lu
/ Poetics
/ poetry
/ race studies
/ Theory, etc
2013,2014,2020,2015
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Thinking Its Presence
by
Dorothy J. Wang
in
American poetry
/ American poetry -- Asian American authors -- History and criticism
/ American poetry -- History and criticism -- Theory, etc
/ American Studies
/ Asian American
/ Asian American authors
/ cultural studies
/ History and criticism
/ John Yau
/ Language & Literature
/ Li-Young Lee
/ LITERARY CRITICISM
/ LITERARY CRITICISM / General
/ LITERARY CRITICISM / Poetry
/ Literary form
/ literary history
/ Marilyn Chin
/ Mei-mei Berssenbrugge
/ Pamela Lu
/ Poetics
/ poetry
/ race studies
/ Theory, etc
2013,2014,2020,2015
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Do you wish to request the book?
Thinking Its Presence
by
Dorothy J. Wang
in
American poetry
/ American poetry -- Asian American authors -- History and criticism
/ American poetry -- History and criticism -- Theory, etc
/ American Studies
/ Asian American
/ Asian American authors
/ cultural studies
/ History and criticism
/ John Yau
/ Language & Literature
/ Li-Young Lee
/ LITERARY CRITICISM
/ LITERARY CRITICISM / General
/ LITERARY CRITICISM / Poetry
/ Literary form
/ literary history
/ Marilyn Chin
/ Mei-mei Berssenbrugge
/ Pamela Lu
/ Poetics
/ poetry
/ race studies
/ Theory, etc
2013,2014,2020,2015
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eBook
Thinking Its Presence
2013,2014,2020,2015
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Overview
When will American poetry and poetics stop viewing poetry by racialized persons as a secondary subject within the field? Dorothy J. Wang makes an impassioned case that now is the time.Thinking Its Presence calls for a radical rethinking of how American poetry is being read today, offering its own reading as a roadmap.
While focusing on the work of five contemporary Asian American poets-Li-Young Lee, Marilyn Chin, John Yau, Mei-mei Berssenbrugge, and Pamela Lu-the book contends that aesthetic forms are inseparable from social, political, and historical contexts in the writing and reception ofall poetry. Wang questions the tendency of critics and academics alike to occlude the role of race in their discussions of the American poetic tradition and casts a harsh light on the double standard they apply in reading poems by poets who are racial minorities. This is the first sustained study of the formal properties in Asian American poetry across a range of aesthetic styles, from traditional lyric to avant-garde. Wang argues with conviction that critics should read minority poetry with the same attention to language and form that they bring to their analyses of writing by white poets.
Publisher
Stanford University Press
Subject
ISBN
0804795274, 9780804795272, 9780804783651, 0804783659, 0804789096, 9780804789097
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