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Unvarnishing Reality
by
DEREK C. MAUS
in
20th century
/ American
/ American fiction
/ American fiction-20th century-History and criticism
/ Cold War
/ Cold War in literature
/ Cold War-Influence
/ History
/ History and criticism
/ Influence
/ Language & Literature
/ LITERARY CRITICISM
/ Politics and literature
/ Politics and literature-History-20th century
/ Russian fiction
/ Russian fiction-20th century-History and criticism
/ Satire, American
/ Satire, American-History and criticism
/ Satire, Russian
/ Satire, Russian-History and criticism
/ Slavic Studies
2012,2011
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Unvarnishing Reality
by
DEREK C. MAUS
in
20th century
/ American
/ American fiction
/ American fiction-20th century-History and criticism
/ Cold War
/ Cold War in literature
/ Cold War-Influence
/ History
/ History and criticism
/ Influence
/ Language & Literature
/ LITERARY CRITICISM
/ Politics and literature
/ Politics and literature-History-20th century
/ Russian fiction
/ Russian fiction-20th century-History and criticism
/ Satire, American
/ Satire, American-History and criticism
/ Satire, Russian
/ Satire, Russian-History and criticism
/ Slavic Studies
2012,2011
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Do you wish to request the book?
Unvarnishing Reality
by
DEREK C. MAUS
in
20th century
/ American
/ American fiction
/ American fiction-20th century-History and criticism
/ Cold War
/ Cold War in literature
/ Cold War-Influence
/ History
/ History and criticism
/ Influence
/ Language & Literature
/ LITERARY CRITICISM
/ Politics and literature
/ Politics and literature-History-20th century
/ Russian fiction
/ Russian fiction-20th century-History and criticism
/ Satire, American
/ Satire, American-History and criticism
/ Satire, Russian
/ Satire, Russian-History and criticism
/ Slavic Studies
2012,2011
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eBook
Unvarnishing Reality
2012,2011
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Overview
Unvarnishing Reality draws original insight to the
literature, politics, history, and culture of the cold war by
closely examining the themes and goals of American and Russian
satirical fiction. As Derek C. Maus illustrates, the paranoia of
nuclear standoff provided a subversive storytelling mode for
authors from both nations-including Thomas Pynchon, Robert Coover,
John Barth, Walker Percy, Don DeLillo, Kurt Vonnegut Jr., Vasily
Aksyonov, Yuz Aleshkovsky, Alexander Zinoviev, Vladimir Voinovich,
Fazil Iskander, and Sasha Sokolov.
Maus surveys the background of each nation's culture, language,
sociology, politics, and philosophy to map the foundation on which
cold war satire was built. By highlighting common themes of
utopianism, technology, and propaganda, Maus effectively shows the
ultimate motive of satirists on both sides was to question the
various forces contributing to the cold war and to expose the
absurdity of the continuous tension that pulsed between the United
States and the Soviet Union for nearly half a century. Although
cold war literature has been studied extensively, few critics have
focused so keenly on comparisons of satirical fictions by Russian
and American writers that condemn and subvert the polarizing
ideologies inherent in superpower rivalry. Such a comparison
reveals thematic and structural similarities that transcend
specific national and cultural origins. In considering these works
together, Maus locates a thoroughgoing humanistic refutation of the
cold war and its operative doctrines as well as a range of proposed
alternatives. Just as the cold war combatants ultimately reconciled
in 1991 with the fall of the Soviet Union, Maus seeks to bring
these two literary canons together now. Their thematic scope
transcends cultural differences, and, as Maus demonstrates, these
writers saw that there was not only the atomic bomb to fear, but
also the dangers of complete national militarization and the
constant polarizing threat of emergency. Thus their cold war
critiques still resonate today and invite further comparative
studies such as this one.
Publisher
University of South Carolina Press
Subject
ISBN
9781570039850, 1570039852, 9781611172263, 1611172268
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