Asset Details
MbrlCatalogueTitleDetail
Do you wish to reserve the book?
Museum skepticism : a history of the display of art in public galleries
by
Carrier, David
in
Art -- Exhibition techniques
/ Art museums
/ Art museums -- Philosophy
/ Art museums -- Social aspects
/ ART / Collections, Catalogs, Exhibitions / General
/ Collections, Catalogs, Exhibitions
2006
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
You are currently in the queue to collect this book. You will be notified once it is your turn to collect the book.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
Do you wish to request the book?
Museum skepticism : a history of the display of art in public galleries
by
Carrier, David
in
Art -- Exhibition techniques
/ Art museums
/ Art museums -- Philosophy
/ Art museums -- Social aspects
/ ART / Collections, Catalogs, Exhibitions / General
/ Collections, Catalogs, Exhibitions
2006
Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
Museum skepticism : a history of the display of art in public galleries
eBook
Museum skepticism : a history of the display of art in public galleries
2006
Request Book From Autostore
and Choose the Collection Method
Overview
In Museum Skepticism, art historian David Carrier traces the birth, evolution, and decline of the public art museum as an institution meant to spark democratic debate and discussion. Carrier contends that since the inception of the public art museum during the French Revolution, its development has depended on growth: on the expansion of collections, particularly to include works representing non-European cultures, and on the proliferation of art museums around the globe. Arguing that this expansionist project has peaked, he asserts that art museums must now find new ways of making high art relevant to contemporary lives. Ideas and inspiration may be found, he suggests, in mass entertainment such as popular music and movies.
Carrier illuminates the public role of art museums by describing the ways they influence how art is seen: through their architecture, their collections, the narratives they offer museum visitors. He insists that an understanding of the art museum must take into account the roles of collectors, curators, and museum architects. Toward that end, he offers a series of case studies, showing how particular museums and their collections evolved. Among those who figure prominently are Baron Dominique Vivant Denon, the first director of the Louvre; Bernard Berenson, whose connoisseurship helped Isabella Stewart Gardner found her museum in Boston; Ernest Fenollosa, who assembled much of the Asian art collection now in the Museum of Fine Arts, Boston; Albert Barnes, the distinguished collector of modernist painting; and Richard Meier, architect of the J. Paul Getty Center in Los Angeles. Carrier's learned consideration of what the art museum is and has been provides the basis for understanding the radical transformation of its public role now under way.
Publisher
Duke University Press
Subject
ISBN
9780822336822, 9780822336945, 0822336944, 0822336820, 9780822387572, 0822387573
MBRLCatalogueRelatedBooks
Related Items
Related Items
We currently cannot retrieve any items related to this title. Kindly check back at a later time.
This website uses cookies to ensure you get the best experience on our website.