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Chasing sound : technology, culture, and the art of studio recording from Edison to the LP
by
Schmidt Horning, Susan
in
History
/ MUSIC
/ Popular music
/ Popular music -- Production and direction -- History
/ Production and direction
/ Recording & Reproduction
/ Recording and reproducing
/ SCIENCE
/ Sound
/ Sound -- Recording and reproducing -- History
/ Sound recording industry
/ Sound recording industry -- History
/ Sound recordings
/ Sound recordings -- Production and direction -- History
/ Sound studios
/ Sound studios -- History
/ United States
2013
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Chasing sound : technology, culture, and the art of studio recording from Edison to the LP
by
Schmidt Horning, Susan
in
History
/ MUSIC
/ Popular music
/ Popular music -- Production and direction -- History
/ Production and direction
/ Recording & Reproduction
/ Recording and reproducing
/ SCIENCE
/ Sound
/ Sound -- Recording and reproducing -- History
/ Sound recording industry
/ Sound recording industry -- History
/ Sound recordings
/ Sound recordings -- Production and direction -- History
/ Sound studios
/ Sound studios -- History
/ United States
2013
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Do you wish to request the book?
Chasing sound : technology, culture, and the art of studio recording from Edison to the LP
by
Schmidt Horning, Susan
in
History
/ MUSIC
/ Popular music
/ Popular music -- Production and direction -- History
/ Production and direction
/ Recording & Reproduction
/ Recording and reproducing
/ SCIENCE
/ Sound
/ Sound -- Recording and reproducing -- History
/ Sound recording industry
/ Sound recording industry -- History
/ Sound recordings
/ Sound recordings -- Production and direction -- History
/ Sound studios
/ Sound studios -- History
/ United States
2013
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Chasing sound : technology, culture, and the art of studio recording from Edison to the LP
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Chasing sound : technology, culture, and the art of studio recording from Edison to the LP
2013
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Overview
How technically enhanced studio recordings revolutionized music and the music industry.
In Chasing Sound, Susan Schmidt Horning traces the cultural and technological evolution of recording studios in the United States from the first practical devices to the modern multi-track studios of the analog era. Charting the technical development of studio equipment, the professionalization of recording engineers, and the growing collaboration between artists and technicians, she shows how the earliest efforts to capture the sound of live performances eventually resulted in a trend toward studio creations that extended beyond live shows, ultimately reversing the historic relationship between live and recorded sound.
Schmidt Horning draws from a wealth of original oral interviews with major labels and independent recording engineers, producers, arrangers, and musicians, as well as memoirs, technical journals, popular accounts, and sound recordings. Recording engineers and producers, she finds, influenced technological and musical change as they sought to improve the sound of records. By investigating the complex relationship between sound engineering and popular music, she reveals the increasing reliance on technological intervention in the creation as well as in the reception of music. The recording studio, she argues, is at the center of musical culture in the twentieth century.
Publisher
Johns Hopkins University Press,The Johns Hopkins University Press
Subject
ISBN
9781421410227, 1421410222, 9781421410234, 1421410230
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