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Memory, Metaphor, and Aby Warburg's Atlas of Images
by
Christopher D. Johnson
in
1866-1929
/ 20th century
/ Art & Art History
/ ART / History / Modern (late 19th Century to 1945)
/ art and culture
/ Art criticism
/ Art criticism -- Germany -- History -- 20th century
/ ART HISTORY
/ Art, Classical
/ Art, Classical -- Influence
/ Art, Renaissance
/ Art, Renaissance -- Influence
/ classical art
/ CULTURAL STUDIES
/ cultural theory
/ GERMAN STUDIES
/ Germany
/ History
/ Influence
/ Language & Literature
/ Memory in art
/ Metaphor in art
/ Mnemosyne
/ renaissance art
/ Warburg, Aby
/ Warburg, Aby, 1866-1929. Mnemosyne
/ weimar germany
2012
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Memory, Metaphor, and Aby Warburg's Atlas of Images
by
Christopher D. Johnson
in
1866-1929
/ 20th century
/ Art & Art History
/ ART / History / Modern (late 19th Century to 1945)
/ art and culture
/ Art criticism
/ Art criticism -- Germany -- History -- 20th century
/ ART HISTORY
/ Art, Classical
/ Art, Classical -- Influence
/ Art, Renaissance
/ Art, Renaissance -- Influence
/ classical art
/ CULTURAL STUDIES
/ cultural theory
/ GERMAN STUDIES
/ Germany
/ History
/ Influence
/ Language & Literature
/ Memory in art
/ Metaphor in art
/ Mnemosyne
/ renaissance art
/ Warburg, Aby
/ Warburg, Aby, 1866-1929. Mnemosyne
/ weimar germany
2012
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Do you wish to request the book?
Memory, Metaphor, and Aby Warburg's Atlas of Images
by
Christopher D. Johnson
in
1866-1929
/ 20th century
/ Art & Art History
/ ART / History / Modern (late 19th Century to 1945)
/ art and culture
/ Art criticism
/ Art criticism -- Germany -- History -- 20th century
/ ART HISTORY
/ Art, Classical
/ Art, Classical -- Influence
/ Art, Renaissance
/ Art, Renaissance -- Influence
/ classical art
/ CULTURAL STUDIES
/ cultural theory
/ GERMAN STUDIES
/ Germany
/ History
/ Influence
/ Language & Literature
/ Memory in art
/ Metaphor in art
/ Mnemosyne
/ renaissance art
/ Warburg, Aby
/ Warburg, Aby, 1866-1929. Mnemosyne
/ weimar germany
2012
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Memory, Metaphor, and Aby Warburg's Atlas of Images
2012
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Overview
The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedicAtlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, theMnemosyne-Atlasconsisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned theMnemosyne-Atlasas a vital form of metaphoric thought.
While the nondiscursive, frequently digressive character of theMnemosyne-Atlascomplicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that \"pathos formulas\" structure the West's cultural memory, Johnson maps numerous tensions between word and image in theMnemosyne-Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of theMnemosyne-Atlas. As Johnson demonstrates, theMnemosyne-Atlasis not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture.
Publisher
Cornell University Press,Cornell University Press : Cornell University Library,Cornell University Press and Cornell University Li
Subject
ISBN
0801477425, 9780801477423
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