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Opera and the City
by
Andrea S. Goldman
in
18th century
/ 19th century
/ Asian Studies
/ Beijing
/ Beijing (China)
/ Beijing (China) -- Intellectual life -- 18th century
/ Beijing (China) -- Intellectual life -- 19th century
/ China
/ HISTORY
/ History and criticism
/ Intellectual life
/ Opera -- Political aspects -- China -- Beijing
/ Opera -- Social aspects -- China -- Beijing
/ Operas, Chinese
/ Operas, Chinese -- History and criticism
/ Political aspects
/ Social aspects
2013,2012
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Opera and the City
by
Andrea S. Goldman
in
18th century
/ 19th century
/ Asian Studies
/ Beijing
/ Beijing (China)
/ Beijing (China) -- Intellectual life -- 18th century
/ Beijing (China) -- Intellectual life -- 19th century
/ China
/ HISTORY
/ History and criticism
/ Intellectual life
/ Opera -- Political aspects -- China -- Beijing
/ Opera -- Social aspects -- China -- Beijing
/ Operas, Chinese
/ Operas, Chinese -- History and criticism
/ Political aspects
/ Social aspects
2013,2012
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Do you wish to request the book?
Opera and the City
by
Andrea S. Goldman
in
18th century
/ 19th century
/ Asian Studies
/ Beijing
/ Beijing (China)
/ Beijing (China) -- Intellectual life -- 18th century
/ Beijing (China) -- Intellectual life -- 19th century
/ China
/ HISTORY
/ History and criticism
/ Intellectual life
/ Opera -- Political aspects -- China -- Beijing
/ Opera -- Social aspects -- China -- Beijing
/ Operas, Chinese
/ Operas, Chinese -- History and criticism
/ Political aspects
/ Social aspects
2013,2012
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eBook
Opera and the City
2013,2012
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Overview
In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values.
It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural history. Her meticulous yet playful account takes up the multiplicity of opera types that proliferated at the time, exploring them as contested sites through which the Qing court and commercial playhouses negotiated influence and control over the social and moral order. Opera performance blurred lines between public and private life, and offered a stage on which to act out gender and class transgressions. This work illuminates how the state and various urban constituencies manipulated opera to their own ends, and sheds light on empire-wide transformations underway at the time.
Publisher
Stanford University Press
Subject
ISBN
9780804778312, 0804778310, 0804792054, 9780804792059, 0804782628, 9780804782623
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