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Scripting Hitchcock
by
Walter Raubicheck
, Walter Srebnick
in
1899-1980
/ Birds (Motion picture)
/ Criticism and interpretation
/ Film & Video
/ Film adaptations
/ Film adaptations -- History and criticism
/ Film Studies
/ History & Criticism
/ History and criticism
/ Hitchcock, Alfred
/ Hitchcock, Alfred, 1899-1980 -- Criticism and interpretation
/ Hitchcock, Alfred, 1899–1980
/ Marnie (Motion picture)
/ Motion picture authorship
/ Motion picture plays, American
/ Motion picture plays, American -- History and criticism
/ PERFORMING ARTS
/ Psycho (Motion picture : 1960)
/ Screenwriters
/ Screenwriters -- United States
/ United States
2011
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Scripting Hitchcock
by
Walter Raubicheck
, Walter Srebnick
in
1899-1980
/ Birds (Motion picture)
/ Criticism and interpretation
/ Film & Video
/ Film adaptations
/ Film adaptations -- History and criticism
/ Film Studies
/ History & Criticism
/ History and criticism
/ Hitchcock, Alfred
/ Hitchcock, Alfred, 1899-1980 -- Criticism and interpretation
/ Hitchcock, Alfred, 1899–1980
/ Marnie (Motion picture)
/ Motion picture authorship
/ Motion picture plays, American
/ Motion picture plays, American -- History and criticism
/ PERFORMING ARTS
/ Psycho (Motion picture : 1960)
/ Screenwriters
/ Screenwriters -- United States
/ United States
2011
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Do you wish to request the book?
Scripting Hitchcock
by
Walter Raubicheck
, Walter Srebnick
in
1899-1980
/ Birds (Motion picture)
/ Criticism and interpretation
/ Film & Video
/ Film adaptations
/ Film adaptations -- History and criticism
/ Film Studies
/ History & Criticism
/ History and criticism
/ Hitchcock, Alfred
/ Hitchcock, Alfred, 1899-1980 -- Criticism and interpretation
/ Hitchcock, Alfred, 1899–1980
/ Marnie (Motion picture)
/ Motion picture authorship
/ Motion picture plays, American
/ Motion picture plays, American -- History and criticism
/ PERFORMING ARTS
/ Psycho (Motion picture : 1960)
/ Screenwriters
/ Screenwriters -- United States
/ United States
2011
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eBook
Scripting Hitchcock
2011
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Overview
Scripting Hitchcock explores the collaborative process between Alfred Hitchcock and the screenwriters he hired to write the scripts for three of his greatest films: Psycho, The Birds, and Marnie. Drawing from extensive interviews with the screenwriters and other film technicians who worked for Hitchcock, Walter Raubicheck and Walter Srebnick illustrate how much of the filmmaking process took place not on the set or in front of the camera, but in the adaptation of the sources, the mutual creation of plot and characters by the director and the writers, and the various revisions of the written texts of the films._x000B__x000B_Hitchcock allowed his writers a great deal of creative freedom, which resulted in dynamic screenplays that expanded traditional narrative and defied earlier conventions. Critically examining the question of authorship in film, Raubicheck and Srebnick argue that Hitchcock did establish visual and narrative priorities for his writers, but his role in the writing process was that of an editor. While the writers and their contributions have generally been underappreciated, this study reveals that all the dialogue and much of the narrative structure of the films were the work of screenwriters Jay Presson Allen, Joseph Stefano, and Evan Hunter. The writers also shaped American cultural themes into material specifically for actors such as Janet Leigh, Tippi Hedren, and Tony Perkins. This volume gives due credit to those writers who gave narrative form to Hitchcock's filmic vision.
Publisher
University of Illinois Press
Subject
/ Criticism and interpretation
/ Film adaptations -- History and criticism
/ Hitchcock, Alfred, 1899-1980 -- Criticism and interpretation
/ Hitchcock, Alfred, 1899–1980
/ Motion picture plays, American
/ Motion picture plays, American -- History and criticism
/ Psycho (Motion picture : 1960)
ISBN
9780252036484, 0252036484, 9780252078248, 0252078241, 9780252093517, 0252093518
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