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Mozart and Enlightenment semiotics
by
Rumph, Stephen
in
18th century
/ BIOGRAPHY & AUTOBIOGRAPHY
/ Composers & Musicians
/ Criticism and interpretation
/ Enlightenment
/ History
/ History and criticism
/ Mozart, Wolfgang Amadeus, 1756-1791
/ Mozart, Wolfgang, 1756-1791 -- Criticism and interpretation
/ Mozart, Wolfgang, 1756–1791
/ Music
/ Music -- 18th century -- History and criticism
/ Music -- Semiotics
/ Semiotics
2011,2012
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Mozart and Enlightenment semiotics
by
Rumph, Stephen
in
18th century
/ BIOGRAPHY & AUTOBIOGRAPHY
/ Composers & Musicians
/ Criticism and interpretation
/ Enlightenment
/ History
/ History and criticism
/ Mozart, Wolfgang Amadeus, 1756-1791
/ Mozart, Wolfgang, 1756-1791 -- Criticism and interpretation
/ Mozart, Wolfgang, 1756–1791
/ Music
/ Music -- 18th century -- History and criticism
/ Music -- Semiotics
/ Semiotics
2011,2012
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Do you wish to request the book?
Mozart and Enlightenment semiotics
by
Rumph, Stephen
in
18th century
/ BIOGRAPHY & AUTOBIOGRAPHY
/ Composers & Musicians
/ Criticism and interpretation
/ Enlightenment
/ History
/ History and criticism
/ Mozart, Wolfgang Amadeus, 1756-1791
/ Mozart, Wolfgang, 1756-1791 -- Criticism and interpretation
/ Mozart, Wolfgang, 1756–1791
/ Music
/ Music -- 18th century -- History and criticism
/ Music -- Semiotics
/ Semiotics
2011,2012
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Mozart and Enlightenment semiotics
2011,2012
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Overview
In this groundbreaking, historically-informed semiotic study of late eighteenth-century music, Stephen Rumph focuses on Mozart to explore musical meaning within the context of Enlightenment sign and language theory. Illuminating his discussion with French, British, German, and Italian writings on signs and language, Rumph analyzes movements from Mozart's symphonies, concertos, operas, and church music. He argues that Mozartian semiosis is best understood within the empiricist tradition of Condillac, Vico, Herder, or Adam Smith, which emphasized the constitutive role of signs within human cognition. Recognizing that the rationalist model of neoclassical rhetoric has guided much recent work on Mozart and his contemporaries, Rumph demonstrates how the dialogic tension between opposing paradigms enabled the composer to negotiate contradictions within Enlightenment thought.
Publisher
University of California Press
Subject
ISBN
9780520260863, 0520260864, 0520950119, 9780520950115
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