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Novel Translations
by
Wiggin, Bethany
in
17th century
/ 18th century
/ Appreciation
/ culture of the novel
/ Early modern, 1500-1700
/ European
/ European fiction
/ French
/ French fiction
/ French influences
/ French novels in Germany
/ German
/ German fiction
/ German literature
/ GERMAN STUDIES
/ Germany
/ History and criticism
/ LITERARY CRITICISM
/ LITERARY CRITICISM / European / German
/ LITERARY STUDIES
/ novels in the 1700s
/ TRANSLATION
/ translations
/ transnationalism in literature
2011
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Novel Translations
by
Wiggin, Bethany
in
17th century
/ 18th century
/ Appreciation
/ culture of the novel
/ Early modern, 1500-1700
/ European
/ European fiction
/ French
/ French fiction
/ French influences
/ French novels in Germany
/ German
/ German fiction
/ German literature
/ GERMAN STUDIES
/ Germany
/ History and criticism
/ LITERARY CRITICISM
/ LITERARY CRITICISM / European / German
/ LITERARY STUDIES
/ novels in the 1700s
/ TRANSLATION
/ translations
/ transnationalism in literature
2011
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Novel Translations
by
Wiggin, Bethany
in
17th century
/ 18th century
/ Appreciation
/ culture of the novel
/ Early modern, 1500-1700
/ European
/ European fiction
/ French
/ French fiction
/ French influences
/ French novels in Germany
/ German
/ German fiction
/ German literature
/ GERMAN STUDIES
/ Germany
/ History and criticism
/ LITERARY CRITICISM
/ LITERARY CRITICISM / European / German
/ LITERARY STUDIES
/ novels in the 1700s
/ TRANSLATION
/ translations
/ transnationalism in literature
2011
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eBook
Novel Translations
2011
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Overview
Many early novels were cosmopolitan books, read from London to Leipzig and beyond, available in nearly simultaneous translations into French, English, German, and other European languages. In Novel Translations, Bethany Wiggin charts just one of the paths by which newness—in its avatars as fashion, novelties, and the novel—entered the European world in the decades around 1700. As readers across Europe snapped up novels, they domesticated the genre. Across borders, the novel lent readers everywhere a suggestion of sophistication, a familiarity with circumstances beyond their local ken.
Into the eighteenth century, the modern German novel was not German at all; rather, it was French, as suggested by Germans' usage of the French word Roman to describe a wide variety of genres: pastoral romances, war and travel chronicles, heroic narratives, and courtly fictions. Carried in large part on the coattails of the Huguenot diaspora, these romans, nouvelles, amours secrets, histoires galantes, and histories scandaleuses shaped German literary culture to a previously unrecognized extent. Wiggin contends that this French chapter in the German novel's history began to draw to a close only in the 1720s, more than sixty years after the word first migrated into German. Only gradually did the Roman go native; it remained laden with the baggage from its \"French\" origins even into the nineteenth century.
Publisher
Cornell University Press
Subject
ISBN
0801476984, 9780801476983, 0801476801, 9780801476808
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