Asset Details
MbrlCatalogueTitleDetail
Do you wish to reserve the book?
Fantasy pieces : metrical dissonance in the music of Robert Schumann
by
Krebs, Harald
in
Composition
/ Music Theory and Analysis
/ Musical meter and rhythm
/ Romantic Music
/ Schumann, Robert - Criticism and interpretation
/ Schumann, Robert, 1810-1856 -- Criticism and interpretation
1999,2003
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
You are currently in the queue to collect this book. You will be notified once it is your turn to collect the book.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
Do you wish to request the book?
Fantasy pieces : metrical dissonance in the music of Robert Schumann
by
Krebs, Harald
in
Composition
/ Music Theory and Analysis
/ Musical meter and rhythm
/ Romantic Music
/ Schumann, Robert - Criticism and interpretation
/ Schumann, Robert, 1810-1856 -- Criticism and interpretation
1999,2003
Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
Fantasy pieces : metrical dissonance in the music of Robert Schumann
eBook
Fantasy pieces : metrical dissonance in the music of Robert Schumann
1999,2003
Request Book From Autostore
and Choose the Collection Method
Overview
This book, written in the form of a series of dialogues between the Schumannian characters Florestan and Eusebius, proposes a theory of metrical conflict that rigorously develops the metaphorical application of the concepts of consonance and dissonance to metrical phenomena. An introductory chapter traces the history of this metaphor from its origins in the early 19th century through to the 20th century. In a series of theoretical chapters, the book then presents detailed descriptions of various types of metrical dissonances (particularly important types are grouping dissonance — based on the association of incongruent metrical layers, and displacement dissonance — based on the non-aligned presentation of congruent layers); a system of labels to characterize specific dissonances; explanations of musical processes that arise from the formation, manipulation, and resolution of these dissonances; and a discussion of the interaction of metrical dissonance with pitch structure, form, and extramusical elements. The emphasis throughout is on the description of the ever-changing metrical states within pieces of music, and on the characterization of the metrical progressions formed by these changing states. The theoretical chapters are interspersed with three intermezzi that adopt a historical or performance-related approach to the topic; these deal, respectively, with influences on Schumann's metrical style; with Schumann's compositional process as it relates to metrical dissonance; and with performance issues arising from metrically dissonant passages. Throughout the book, the theory is applied mainly in the analysis of Robert Schumann's music, but analyses of the music of 18th-century, other 19th-century, and early 20th-century composers are also included.
Publisher
Oxford University Press,Oxford University Press, Incorporated
Subject
ISBN
9780195169461, 0195169468, 0195116232, 9780195116236
This website uses cookies to ensure you get the best experience on our website.