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The Early Violin and Viola
by
Stowell, Robin
in
18th century
/ 19th century
/ History
/ Instrumental music
/ Instrumental music -- 18th century -- Interpretation (Phrasing, dynamics, etc.)
/ Instrumental music -- 19th century -- Interpretation (Phrasing, dynamics, etc.)
/ Interpretation (Phrasing, dynamics, etc.)
/ Performance practice (Music)
/ Performance practice (Music) -- 18th century
/ Performance practice (Music) -- 19th century
/ Viola
/ Viola -- Performance
/ Violin
/ Violin -- Performance
2001
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The Early Violin and Viola
by
Stowell, Robin
in
18th century
/ 19th century
/ History
/ Instrumental music
/ Instrumental music -- 18th century -- Interpretation (Phrasing, dynamics, etc.)
/ Instrumental music -- 19th century -- Interpretation (Phrasing, dynamics, etc.)
/ Interpretation (Phrasing, dynamics, etc.)
/ Performance practice (Music)
/ Performance practice (Music) -- 18th century
/ Performance practice (Music) -- 19th century
/ Viola
/ Viola -- Performance
/ Violin
/ Violin -- Performance
2001
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Do you wish to request the book?
The Early Violin and Viola
by
Stowell, Robin
in
18th century
/ 19th century
/ History
/ Instrumental music
/ Instrumental music -- 18th century -- Interpretation (Phrasing, dynamics, etc.)
/ Instrumental music -- 19th century -- Interpretation (Phrasing, dynamics, etc.)
/ Interpretation (Phrasing, dynamics, etc.)
/ Performance practice (Music)
/ Performance practice (Music) -- 18th century
/ Performance practice (Music) -- 19th century
/ Viola
/ Viola -- Performance
/ Violin
/ Violin -- Performance
2001
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eBook
The Early Violin and Viola
2001
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Overview
This practical guide is intended for all violinists and viola players who wish to give - or to understand and appreciate - historically aware performances of early music for their instruments. It comprises discussion of the literature, history and repertory of the violin and viola, the myriad relevant primary sources and their interpretation, and the various aspects of style and technique that combine to make up well-grounded, period performances. It also considers various related family instruments, contains practical advice on the acquisition of appropriate instruments, and offers suggestions for further reading and investigation. Many of the principles outlined are put into practice in case studies of six works composed c.1700–c.1900, the core period which forms this series' principal (though not exclusive) focus. Music by Corelli, Bach, Haydn, Beethoven, Mendelssohn and Brahms is examined with a view to recreating performances as faithful as possible to the composer's original intention.
Publisher
Cambridge University,Cambridge University Press
Subject
/ History
/ Instrumental music -- 18th century -- Interpretation (Phrasing, dynamics, etc.)
/ Instrumental music -- 19th century -- Interpretation (Phrasing, dynamics, etc.)
/ Interpretation (Phrasing, dynamics, etc.)
/ Performance practice (Music)
/ Performance practice (Music) -- 18th century
/ Performance practice (Music) -- 19th century
/ Viola
/ Violin
ISBN
9780521623803, 0521625556, 9780521625555, 0521623804
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