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Taking It Like a Man
by
Savran, David
in
Abjection
/ Al Pacino
/ Allen Ginsberg
/ Ambivalence
/ American Male
/ Bunch of Guys
/ Castration anxiety
/ Communitarianism
/ Counterculture
/ Cultural hegemony
/ Cunt
/ Dada
/ David Cronenberg
/ David M. Halperin
/ David Mamet
/ Dominance and submission
/ Edward Albee
/ Effeminacy
/ Fellow traveller
/ Francis Fukuyama
/ Frantz Fanon
/ Gay Studies
/ H. Rap Brown
/ Herbert Marcuse
/ Hippie
/ Imperialism
/ Individualism
/ Jack Kerouac
/ Jack Nicholson
/ Jacques Lacan
/ John L. O'Sullivan
/ Jonathan Swift
/ Jouissance
/ Libertine
/ Libido
/ Louis Althusser
/ Male bonding
/ Male privilege
/ Mark Crispin Miller
/ Masculinity
/ Masculinity -- United States
/ Masochism
/ Masochism -- United States
/ Men in literature
/ Men in popular culture
/ Men in popular culture -- United States
/ Men's movement
/ Men, White
/ Narcissism
/ One-Dimensional Man
/ Oppression
/ Patriarchy
/ Patriot movement
/ Paul Klee
/ Primal scene
/ Promiscuity
/ Rain Man
/ Raymond Chandler
/ Reverse discrimination
/ Reverse discrimination -- United States
/ Righteous indignation
/ Robert Bly
/ Sadomasochism
/ Sam Keen
/ Sam Shepard
/ Self-abasement
/ Self-made man
/ Shit happens
/ SOCIAL SCIENCE
/ SOCIAL SCIENCE / Sociology / General
/ Sociology
/ Subjectivity
/ That Boy
/ The Other Hand
/ Tony Kushner
/ United Sates
/ United States
/ Walter Benjamin
/ Walter Winchell
/ Well-made play
/ Westbrook Pegler
/ Whipping Tom
/ White men
/ White men -- United States
/ Wild man
/ William Everson
/ Zelig
1998
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Taking It Like a Man
by
Savran, David
in
Abjection
/ Al Pacino
/ Allen Ginsberg
/ Ambivalence
/ American Male
/ Bunch of Guys
/ Castration anxiety
/ Communitarianism
/ Counterculture
/ Cultural hegemony
/ Cunt
/ Dada
/ David Cronenberg
/ David M. Halperin
/ David Mamet
/ Dominance and submission
/ Edward Albee
/ Effeminacy
/ Fellow traveller
/ Francis Fukuyama
/ Frantz Fanon
/ Gay Studies
/ H. Rap Brown
/ Herbert Marcuse
/ Hippie
/ Imperialism
/ Individualism
/ Jack Kerouac
/ Jack Nicholson
/ Jacques Lacan
/ John L. O'Sullivan
/ Jonathan Swift
/ Jouissance
/ Libertine
/ Libido
/ Louis Althusser
/ Male bonding
/ Male privilege
/ Mark Crispin Miller
/ Masculinity
/ Masculinity -- United States
/ Masochism
/ Masochism -- United States
/ Men in literature
/ Men in popular culture
/ Men in popular culture -- United States
/ Men's movement
/ Men, White
/ Narcissism
/ One-Dimensional Man
/ Oppression
/ Patriarchy
/ Patriot movement
/ Paul Klee
/ Primal scene
/ Promiscuity
/ Rain Man
/ Raymond Chandler
/ Reverse discrimination
/ Reverse discrimination -- United States
/ Righteous indignation
/ Robert Bly
/ Sadomasochism
/ Sam Keen
/ Sam Shepard
/ Self-abasement
/ Self-made man
/ Shit happens
/ SOCIAL SCIENCE
/ SOCIAL SCIENCE / Sociology / General
/ Sociology
/ Subjectivity
/ That Boy
/ The Other Hand
/ Tony Kushner
/ United Sates
/ United States
/ Walter Benjamin
/ Walter Winchell
/ Well-made play
/ Westbrook Pegler
/ Whipping Tom
/ White men
/ White men -- United States
/ Wild man
/ William Everson
/ Zelig
1998
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Taking It Like a Man
by
Savran, David
in
Abjection
/ Al Pacino
/ Allen Ginsberg
/ Ambivalence
/ American Male
/ Bunch of Guys
/ Castration anxiety
/ Communitarianism
/ Counterculture
/ Cultural hegemony
/ Cunt
/ Dada
/ David Cronenberg
/ David M. Halperin
/ David Mamet
/ Dominance and submission
/ Edward Albee
/ Effeminacy
/ Fellow traveller
/ Francis Fukuyama
/ Frantz Fanon
/ Gay Studies
/ H. Rap Brown
/ Herbert Marcuse
/ Hippie
/ Imperialism
/ Individualism
/ Jack Kerouac
/ Jack Nicholson
/ Jacques Lacan
/ John L. O'Sullivan
/ Jonathan Swift
/ Jouissance
/ Libertine
/ Libido
/ Louis Althusser
/ Male bonding
/ Male privilege
/ Mark Crispin Miller
/ Masculinity
/ Masculinity -- United States
/ Masochism
/ Masochism -- United States
/ Men in literature
/ Men in popular culture
/ Men in popular culture -- United States
/ Men's movement
/ Men, White
/ Narcissism
/ One-Dimensional Man
/ Oppression
/ Patriarchy
/ Patriot movement
/ Paul Klee
/ Primal scene
/ Promiscuity
/ Rain Man
/ Raymond Chandler
/ Reverse discrimination
/ Reverse discrimination -- United States
/ Righteous indignation
/ Robert Bly
/ Sadomasochism
/ Sam Keen
/ Sam Shepard
/ Self-abasement
/ Self-made man
/ Shit happens
/ SOCIAL SCIENCE
/ SOCIAL SCIENCE / Sociology / General
/ Sociology
/ Subjectivity
/ That Boy
/ The Other Hand
/ Tony Kushner
/ United Sates
/ United States
/ Walter Benjamin
/ Walter Winchell
/ Well-made play
/ Westbrook Pegler
/ Whipping Tom
/ White men
/ White men -- United States
/ Wild man
/ William Everson
/ Zelig
1998
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Taking It Like a Man
1998
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Overview
From the Beat poets' incarnation of the \"white Negro\" through Iron John and the Men's Movement to the paranoid masculinity of Timothy McVeigh, white men in this country have increasingly imagined themselves as victims. InTaking It Like a Man, David Savran explores the social and sexual tensions that have helped to produce this phenomenon. Beginning with the 1940s, when many white, middle-class men moved into a rule-bound, corporate culture, Savran sifts through literary, cinematic, and journalistic examples that construct the white man as victimized, feminized, internally divided, and self-destructive. Savran considers how this widely perceived loss of male power has played itself out on both psychoanalytical and political levels as he draws upon various concepts of masochism--the most counterintuitive of the so-called perversions and the one most insistently associated with femininity.
Savran begins with the writings and self-mythologization of Beat writers William Burroughs, Allen Ginsberg, and Jack Kerouac. Although their independent, law-defying lifestyles seemed distinctively and ruggedly masculine, their literary art and personal relations with other men in fact allowed them to take up social and psychic positions associated with women and racial minorities. Arguing that this dissident masculinity has become increasingly central to U.S. culture, Savran analyzes the success of Sam Shepard as both writer and star, as well as the emergence of a new kind of action hero in movies likeRamboandTwister. He contends that with the limited success of the civil rights and women's movements, white masculinity has been reconfigured to reflect the fantasy that the white male has become the victim of the scant progress made by African Americans and women.
Taking It Like a Manprovocatively applies psychoanalysis to history. The willingness to inflict pain upon the self, for example, serves as a measure of men's attempts to take control of their situations and their ambiguous relationship to women. Discussing S/M and sexual liberation in their historical contexts enables Savran to consider not only the psychological function of masochism but also the broader issues of political and social power as experienced by both men and women.
Publisher
Princeton University Press
Subject
ISBN
0691058768, 9780691058764, 0691016372, 9780691016375, 1400822467, 9781400822461
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