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Latinas Online Are “Built Like This”
by
Sweeney-Romero, Katlin Marisol
in
Affordances
/ Animators
/ Art Expression
/ Artists
/ Captions
/ Cartoonists
/ Cartoonists and animators
/ Cartoons
/ Comics
/ Content creation
/ Creativity
/ Criticism and interpretation
/ Electronic publishing
/ Hispanic American women
/ Hispanic Americans
/ Internet
/ Latin American cultural groups
/ Mass Media
/ Mass media effects
/ Media art
/ Mediation
/ Narratives
/ Neighborhoods
/ Portrayals
/ Ruiz, Daisy
/ Social media
/ Social networks
/ Trends
/ Video Technology
/ Working class
2024
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Latinas Online Are “Built Like This”
by
Sweeney-Romero, Katlin Marisol
in
Affordances
/ Animators
/ Art Expression
/ Artists
/ Captions
/ Cartoonists
/ Cartoonists and animators
/ Cartoons
/ Comics
/ Content creation
/ Creativity
/ Criticism and interpretation
/ Electronic publishing
/ Hispanic American women
/ Hispanic Americans
/ Internet
/ Latin American cultural groups
/ Mass Media
/ Mass media effects
/ Media art
/ Mediation
/ Narratives
/ Neighborhoods
/ Portrayals
/ Ruiz, Daisy
/ Social media
/ Social networks
/ Trends
/ Video Technology
/ Working class
2024
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Do you wish to request the book?
Latinas Online Are “Built Like This”
by
Sweeney-Romero, Katlin Marisol
in
Affordances
/ Animators
/ Art Expression
/ Artists
/ Captions
/ Cartoonists
/ Cartoonists and animators
/ Cartoons
/ Comics
/ Content creation
/ Creativity
/ Criticism and interpretation
/ Electronic publishing
/ Hispanic American women
/ Hispanic Americans
/ Internet
/ Latin American cultural groups
/ Mass Media
/ Mass media effects
/ Media art
/ Mediation
/ Narratives
/ Neighborhoods
/ Portrayals
/ Ruiz, Daisy
/ Social media
/ Social networks
/ Trends
/ Video Technology
/ Working class
2024
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Journal Article
Latinas Online Are “Built Like This”
2024
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Overview
Abstract Latinx comics creators publish on social media to connect with a global audience and perform digital self-mediation that enhances the self-reflexive themes in their work. Among these creators is Chicana artist, Daisy Ruiz, known as Draizys, whose auto-bio comic Gordita: Built Like This showcases this approach. Its narrative contents, publication trajectory, and digital promotion exemplify how Ruiz as protagonist and author uses digital tools to produce and share her creative work. Her depictions of adolescent internet use, along with the behind-the-scenes content she posts to Instagram and TikTok, underscore how she uses medium-specific affordances to produce sequential autobiographical narratives in her comics and social media posts that, in both content and form, nuance how Latinas are mediated to the public.
Publisher
Berghahn Journals,Berghahn Books, Inc
Subject
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