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Áhku gákti: The Politics and Pedagogies of Contemporary Sámi Performance for Young Audiences
by
Gindt, Dirk
in
Aesthetics
/ Artists
/ Audiences
/ Colonialism
/ Cultural heritage
/ Culture
/ Dramaturgy
/ Mythical creatures
/ Mythology
/ Native peoples
/ Performing arts
/ Rehearsals
/ Theater
/ Young adults
2024
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Áhku gákti: The Politics and Pedagogies of Contemporary Sámi Performance for Young Audiences
by
Gindt, Dirk
in
Aesthetics
/ Artists
/ Audiences
/ Colonialism
/ Cultural heritage
/ Culture
/ Dramaturgy
/ Mythical creatures
/ Mythology
/ Native peoples
/ Performing arts
/ Rehearsals
/ Theater
/ Young adults
2024
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Do you wish to request the book?
Áhku gákti: The Politics and Pedagogies of Contemporary Sámi Performance for Young Audiences
by
Gindt, Dirk
in
Aesthetics
/ Artists
/ Audiences
/ Colonialism
/ Cultural heritage
/ Culture
/ Dramaturgy
/ Mythical creatures
/ Mythology
/ Native peoples
/ Performing arts
/ Rehearsals
/ Theater
/ Young adults
2024
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Áhku gákti: The Politics and Pedagogies of Contemporary Sámi Performance for Young Audiences
Journal Article
Áhku gákti: The Politics and Pedagogies of Contemporary Sámi Performance for Young Audiences
2024
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Overview
With Sámi mythology and storytelling as dramaturgical anchors, Giron Sámi Teáhter uses the key aesthetic elements of yoik (Sámi song) and duodji (Sámi arts and crafts) to revitalize and promote Sámi language and culture. The troupe’s work nourishes pride in young Sámi audiences in their rich cultural heritage, which for centuries was suppressed by settler colonialism across Sápmi, the land of the Sámi people, which stretches across the Northern part of Norway, Sweden, and Finland all the way to the Kola Peninsula in Russia.
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