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Neurogra w kino. Neuronaukowe perspektywy badania filmu
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Journal Article
Neurogra w kino. Neuronaukowe perspektywy badania filmu
2024
Overview
The aim of the article is to present neuroscientific per-spectives on the study of film. First, the foundations forthe development of this type of empirical and conceptualresearch are presented: the cognitive theory of film, theconcept of embodied cognition, and the models of cine-ma that have been proposed in this area (embodied cine-ma and enactive cinema), as well as neuroaesthetics. Then,referring to the findings of Vittorio Gallese and MiguelGuerra, the author indicates three main perspectives forthe development of neuroscientific research on cinema: 1)partial reinterpretation of the theory and history of cinema through the prism of new research tools, 2) empiricalresearch on film techniques and strategies, 3) developmentof new technological forms implemented in the film indus-try. The article presents also selected experiments in thefield of film neuroresearch, focusing on those dealing withgeneral issues – including the pioneering experiment ofUri Hasson’s research group and a study on identificationwith film characters based on the Game of Thrones series(HBO, 2011-2019). The author also refers to research on filmmontage, conducted mainly by Javier Sanz-Aznar’s group,and presents it from a critical perspective, reflecting onthe potential of empirical research on film, taking into ac-count the problem of neurorealism. In the last part of thearticle, she presents the assumptions of neurofilmology aspresented by Adriano D’Aloia and Ruggero Eugeni and thecritical approach to the research perspective proposed byMaria Poulaki. The author of the article supplements thisreflection with her own conclusions regarding potentialdirections of development of cinema neuroresearch.
Publisher
Instytut Sztuki Polskiej Akademii Nauk,Institute of Art, Polish Academy of Sciences
