Journal Article

Ciprian Porumbescu, creator and protagonist of the Romanian operetta

Filimon, Rosina Caterina

2020

Overview

Musical-theatrical pieces of the nineteenth century, propagated by Italian, French and German troops, were an inspiration for Romanian composers. They will create similar fashionable musical theatre genres, in Romanian, for entertainment purposes. Works placed on the border between vaudeville and the lyrical genre can be identified in the creation of the newly emerging genre of operetta: such pieces are the compositions of Alexandru Flechtenmacher, Eduard Wachmann, Eduard Caudella. In the cultural atmosphere of the time, patriotic musician Ciprian Porumbescu (1853-1883) would find the perfect way to put a longstanding artistic wish into practice: to compose an operetta, following the success of his humorous musical-theatre pieces and [Candidate Linte]. A multifarious personality, a lover of folklore and of his nation, Ciprian Porumbescu – one of the founders of the national school of music – contributed to the authenticity and identity of the Romanian musical language through his extensive works; one important contribution is the composition of the first Romanian cultivated operetta [New Moon] (1882). As a tribute to his art, on the centenary of his birth, the of the operetta becomes the of the operetta [Let me sing] (1954) by Gherase Dendrino, set during the time of the staging of Porumbescuʼs musical-dramatic work. and are highlights of the Romanian lyrical theatre, from the artistic past and present, and hold their position as musical pieces frequently performed and received with interest and enthusiasm.

• Publisher: Sciendo,De Gruyter Brill Sp. z o.o., Paradigm Publishing Services
• Subject: Ciprian Porumbescu / Gherase Dendrino / operetta / Theater