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On Telling the Truth: A Cognitive Stylistic Reading of Philip Larkin’s “Talking in Bed”
by
Malkawi, Sohaib
in
ambiguity
/ analysis
/ cognitive stylistics
/ defamiliarization
/ deviation
/ Jordan Peterson
/ Larkin, Philip (1922-1985)
/ linguistics
/ Philip Larkin
/ philosophy
/ poetry
/ relationships
/ stylistics
/ Talking in Bed
/ telling the truth
/ truth
2020
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On Telling the Truth: A Cognitive Stylistic Reading of Philip Larkin’s “Talking in Bed”
by
Malkawi, Sohaib
in
ambiguity
/ analysis
/ cognitive stylistics
/ defamiliarization
/ deviation
/ Jordan Peterson
/ Larkin, Philip (1922-1985)
/ linguistics
/ Philip Larkin
/ philosophy
/ poetry
/ relationships
/ stylistics
/ Talking in Bed
/ telling the truth
/ truth
2020
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Do you wish to request the book?
On Telling the Truth: A Cognitive Stylistic Reading of Philip Larkin’s “Talking in Bed”
by
Malkawi, Sohaib
in
ambiguity
/ analysis
/ cognitive stylistics
/ defamiliarization
/ deviation
/ Jordan Peterson
/ Larkin, Philip (1922-1985)
/ linguistics
/ Philip Larkin
/ philosophy
/ poetry
/ relationships
/ stylistics
/ Talking in Bed
/ telling the truth
/ truth
2020
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On Telling the Truth: A Cognitive Stylistic Reading of Philip Larkin’s “Talking in Bed”
Journal Article
On Telling the Truth: A Cognitive Stylistic Reading of Philip Larkin’s “Talking in Bed”
2020
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Overview
This essay presents a cognitive stylistic analysis of Philip Larkin’s “Talking in Bed,” highlighting the linguistic functions that aid the reader in the meaning-making process. In the poem, the realization of truth dawns upon the persona in the final moments of a lingering introspection, shedding light on the reason for which he is lying in bed beside his partner, profoundly incapable of uttering a word. It seems to him, in the end, that truth is indispensable to human relationships. This essay represents a thorough attempt at textually analyzing the poem, broaching snippets of knowledge from multiple fields – philosophy, psychology, linguistics, and literature – all in an attempt to present a comprehensive interpretation of Larkin’s poem. The aim is to further evidence the speaker’s realization, that the articulation of truth is a vital element in a healthy relationship, and to provide an understanding of the stylistic technique most utilized by Larkin, namely, the linguistic deviation he usually deploys by the end of his poems. I argue that the ambiguity he instills at the end of this poem makes for a cognitive attempt at empathically communicating to the reader the sense of meaninglessness the persona suffers from throughout the poem.
Publisher
Sciendo,De Gruyter Brill Sp. z o.o., Paradigm Publishing Services
Subject
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