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On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
by
Tomašević, Katarina
in
Bartok, Bela
/ béla bartók
/ Composers
/ josip slavenski
/ marko tajčević
/ Modernism
/ Music history
/ musical modernism
/ Slavenski, Josip
/ Tajcevic, Marko
/ the balkans
2016
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On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
by
Tomašević, Katarina
in
Bartok, Bela
/ béla bartók
/ Composers
/ josip slavenski
/ marko tajčević
/ Modernism
/ Music history
/ musical modernism
/ Slavenski, Josip
/ Tajcevic, Marko
/ the balkans
2016
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On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
by
Tomašević, Katarina
in
Bartok, Bela
/ béla bartók
/ Composers
/ josip slavenski
/ marko tajčević
/ Modernism
/ Music history
/ musical modernism
/ Slavenski, Josip
/ Tajcevic, Marko
/ the balkans
2016
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On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
Journal Article
On the Paths of Béla Bartók’s Modernism Followers and Companions: Josip Slavenski and Marko Tajčević
2016
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Overview
The main aim of this paper is to re-examine the modalities of Béla Bartók’s influence as a composer during the first half of the 20th century to the main, dominantly “nationally oriented style” in the former Yugoslavia, focusing on two of Bartók’s somewhat younger contemporaries – the composers Josip Slavenski (1896–1955) and Marko Tajčević (1900–1984), prominent representatives of European interwar musical modernism.
Publisher
University of Ljubljana, Faculty of Arts,University of Ljubljana Press (Založba Univerze v Ljubljani)
Subject
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