Journal Article

INFLUENCE OF DANCE ELEMENTS ON BALANCE BEAM RESULTS

Božanić, Ana, Atiković, Almir, Delaš Kalinski, Sunčica

2011

Overview

According to the Code of Points (FIG, 2009) the balance beam difficulty value is determined by the sum of maximum 8 most difficult elements (including the dismount), fulfilling 5 composition requirements and by the values that exceed from the connections between the acrobatic elements, turns and acro-rhythmic elements. The aim of this study was to determine the frequency of performed dance elements on the balance beam and their influence on: difficulty value, execution value and final score. The sample consisted of 109 women top junior athletes, who participated in qualifications on the European Championships in Birmingham in 2010. The results obtained showed that the gymnasts in average perform 4.28 dance elements in their balance beam routines. The highest frequency was determined to a C difficulty jump ˝switch leap˝ (N=101), to two A difficulty jumps: “wolf hop or jump from cross or side position” (N=83) and to ˝Sissone˝ (leg separation 180°) take off from both legs (N=61); and to A difficulty turn: “1/1 turn (360°) on one leg – free leg optional below horizontal” (N=66). Regression analysis revealed a statistically significant influence of some dance elements on the difficulty value of the exercise (p <0.05) and on the final score. Statistically significant influence of different dance elements on the execution value was not found. Po Pravilih FIG za ocenjevanje (FIG, 2009) je težavnost sestave določena z vsoto osmih najtežjih prvin v sestavi (vključno s seskokom) ob upoštevanju vseh petih posebnih zahtev ter dodatnih točk za povezanost akrobatskih ter ritmičnih prvin. Cilj članka je ugotoviti pojavnost ritmičnih prvin na gredi in njihov vpliv na težavnost sestave, izvedbo sestave in končno oceno. Vzorec je sestavljalo 109 telovadk, ki so nastopile na mladinskem evropskem prvenstvu leta 2010 v Birminghamu. Telovadke so v povprečju pokazale 4.28 ritmične prvine. Največkrat so telovadke izvedle ritmično prvino skok prednožno zanožno strižno – C težavnostne stopnje (N=101), povezano v dva skoka A težavnostne stopnje in sicer v skok prednožno upognjeno z eno nogo (N=83) in skok prednožno zanožno (kot med nogami več kot 180°) s sonožnim odrivom (N=61); oziroma v obrat na eni nogi (prav tako A težavnostne stopnje) (N=66). Regresijska analiza je bila značilna in rtimične prvine imajo pomemben vpliv na težavnost sestave.in na končno oceno. Težavnost ritmičnih prvin nima vpliva na oceno izvedbe sestave.

• Publisher: University of Ljubljana, Faculty of Sport,University of Ljubljana Press (Založba Univerze v Ljubljani)
• Subject: code of points / difficulty / execution / juniors / women artistic gymnastics