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The Leipzig Model and its Consequences
by
Fjeldsøe, Michael
in
19th century
/ 20th century
/ Audiences
/ Bartok, Bela
/ Careers
/ Composers
/ Education
/ Gade, Niels
/ Historiography
/ Kodaly, Zoltan (1882-1967)
/ Music
/ Nationalism
/ Nielsen, Carl August (1865-1931)
/ Reputations
2018
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Do you wish to request the book?
The Leipzig Model and its Consequences
by
Fjeldsøe, Michael
in
19th century
/ 20th century
/ Audiences
/ Bartok, Bela
/ Careers
/ Composers
/ Education
/ Gade, Niels
/ Historiography
/ Kodaly, Zoltan (1882-1967)
/ Music
/ Nationalism
/ Nielsen, Carl August (1865-1931)
/ Reputations
2018
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Journal Article
The Leipzig Model and its Consequences
2018
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Overview
The article discusses how the concept of \"national composer\" was established and developed in Central and Northern Europe by looking into the attempted international careers of two Danish composers in the nineteenth and early twentieth centuries. The analysis focuses on the appropriation of national composers in relation to international recognition in order to reflect on how this changing relationship might have influenced the conditions for international recognition of Zoltán Kodály. In the 1840s, Leipzig was the place to obtain international reputation. It was in Leipzig that Niels W. Gade was first recognized as a composer with a \"Nordic tone\" and it was be cause of that reason that he had, a meteoric career and was ranked as an im portant European composer. In the early twentieth century, Carl Nielsen replaced Gade as the most revered Danish composer; however, at that time, being a national composer was not an advantage to an international career, it was an obstacle, if anything.
Publisher
Akadémiai Kiadó,Akademiai Kiado Zrt
Subject
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