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Samāǧa performances in third/ninth-century Abbasid courts
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Samāǧa performances in third/ninth-century Abbasid courts
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Samāǧa performances in third/ninth-century Abbasid courts
Samāǧa performances in third/ninth-century Abbasid courts
Journal Article

Samāǧa performances in third/ninth-century Abbasid courts

2019
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Overview
Literary sources from the Abbasid period record few descriptions of courtly masquerades and plays called samāǧa, which closely resemble sumozhe plays from eighth-century China. On the basis of these samāǧa descriptions, the present paper argues that it is possible to understand how samāǧa plays were carried out. Moreover, I argue that samāǧa performances were a Central Asian custom imported to the Abbasid court with the establishment of the Turkish corps, and that its disappearance after the caliphate of al-Muʿtaḍid signals a substantial shift in the nature of the Turkish presence in the Abbasid heartland, marked by the establishment of the mamlūk system.