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Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism
by
Motley, Clay
in
Academy awards
/ Actors
/ American history
/ Boxing
/ Criticism and interpretation
/ Eighteen nineties
/ Feminism
/ Machismo
/ Masculinity
/ Motion picture criticism
/ Motion pictures
/ Motion pictures, Plots, themes, etc
/ Nineteen seventies
/ Popular culture
/ Rocky (Film)
/ Social evolution
/ Stallone, Sylvester
2005
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Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism
by
Motley, Clay
in
Academy awards
/ Actors
/ American history
/ Boxing
/ Criticism and interpretation
/ Eighteen nineties
/ Feminism
/ Machismo
/ Masculinity
/ Motion picture criticism
/ Motion pictures
/ Motion pictures, Plots, themes, etc
/ Nineteen seventies
/ Popular culture
/ Rocky (Film)
/ Social evolution
/ Stallone, Sylvester
2005
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Do you wish to request the book?
Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism
by
Motley, Clay
in
Academy awards
/ Actors
/ American history
/ Boxing
/ Criticism and interpretation
/ Eighteen nineties
/ Feminism
/ Machismo
/ Masculinity
/ Motion picture criticism
/ Motion pictures
/ Motion pictures, Plots, themes, etc
/ Nineteen seventies
/ Popular culture
/ Rocky (Film)
/ Social evolution
/ Stallone, Sylvester
2005
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Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism
Journal Article
Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism
2005
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Overview
Sylvester Stallone's Rocky, winner of the Academy Award for Best Picture in 1976, not only began one of Hollywood's most lucrative and recognizable film \"franchises,\" it began a battle of interpretation over the film's meaning. Regardless of individual interpretations, critics of the film then and now agree that Rocky, for better or worse, somehow caught the zeitgeist--was a film for and of a precarious moment in American society that spoke passionately to a large segment of the population.
Publisher
Center for the Study of Film and History
Subject
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