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Images of the European Crisis: Populism and Contemporary Crime TV Series
by
Pagello, Federico
in
19th century
/ Antiheroes
/ Audiences
/ Crime
/ Crime drama
/ Crime fiction
/ Criminal investigations
/ Cultural heritage
/ Focus: Crime Fiction as a Mirror of Europe’s Changing Identities
/ Genre
/ International markets
/ Narratives
/ National identity
/ Popular culture
/ Populism
/ Representations
/ Society
/ Television
/ Television programs
/ Transformation
/ Transnationalism
2021
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Images of the European Crisis: Populism and Contemporary Crime TV Series
by
Pagello, Federico
in
19th century
/ Antiheroes
/ Audiences
/ Crime
/ Crime drama
/ Crime fiction
/ Criminal investigations
/ Cultural heritage
/ Focus: Crime Fiction as a Mirror of Europe’s Changing Identities
/ Genre
/ International markets
/ Narratives
/ National identity
/ Popular culture
/ Populism
/ Representations
/ Society
/ Television
/ Television programs
/ Transformation
/ Transnationalism
2021
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Do you wish to request the book?
Images of the European Crisis: Populism and Contemporary Crime TV Series
by
Pagello, Federico
in
19th century
/ Antiheroes
/ Audiences
/ Crime
/ Crime drama
/ Crime fiction
/ Criminal investigations
/ Cultural heritage
/ Focus: Crime Fiction as a Mirror of Europe’s Changing Identities
/ Genre
/ International markets
/ Narratives
/ National identity
/ Popular culture
/ Populism
/ Representations
/ Society
/ Television
/ Television programs
/ Transformation
/ Transnationalism
2021
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Images of the European Crisis: Populism and Contemporary Crime TV Series
Journal Article
Images of the European Crisis: Populism and Contemporary Crime TV Series
2021
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Overview
During the last two decades a dramatic shift in the production and distribution strategies of TV series has taken place on a global level. This article discusses how these broad changes also led to a transformation in the form and the themes of European crime series, which emerge as ideal objects to study the representation of European societies in contemporary popular culture. The article looks at recent serial crime dramas such as La casa de papel, Suburra, and Peaky Blinders, which have abandoned the classic formula of European crime TV series, usually focused on the figure of the detective and primarily addressed to a national audience. Designed for an international market, these series provocatively concentrate on the figure of the criminal and adopt an explicitly sensationalist approach. The article argues that this style and the bleak depiction of European society in these series are both an expression and a critical representation of the rise of populism across the Old Continent.
Publisher
Cambridge University Press
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