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Middle Eastern Dance and What We Call It
by
Hawthorn, Ainsley
in
Belly dancing
/ Dance
/ Dancers & choreographers
/ English language
/ Media Studies
/ Middle Eastern culture
/ Solo performances
/ Stereotypes
2019
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Middle Eastern Dance and What We Call It
by
Hawthorn, Ainsley
in
Belly dancing
/ Dance
/ Dancers & choreographers
/ English language
/ Media Studies
/ Middle Eastern culture
/ Solo performances
/ Stereotypes
2019
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Journal Article
Middle Eastern Dance and What We Call It
2019
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Overview
This article traces the historical background of the term ‘belly dance’, the English-language name for a complex of solo, improvised dance styles of Middle Eastern and North African origin whose movements are based on articulations of the torso. The expression danse du ventre – literally, ‘dance of the belly’ – was initially popularised in France as an alternate title for Orientalist artist Jean-Léon Gérôme's 1863 painting of an Egyptian dancer and ultimately became the standard designation for solo, and especially women's, dances from the Middle East and North Africa. The translation ‘belly dance’ was introduced into English in 1889 in international media coverage of the Rue du Caire exhibit at the Parisian Exposition Universelle. A close examination of the historical sources demonstrates that the evolution of this terminology was influenced by contemporary art, commercial considerations, and popular stereotypes about Eastern societies. The paper concludes with an examination of dancers' attitudes to the various English-language names for the dance in the present day.
Publisher
Edinburgh University Press
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