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Policies and Cinephilia: The First Three Decades of the Spanish National Film Archives Filmoteca
by
Arenas, Fernando Ramos
in
20th century
/ Archival resources
/ Archives & records
/ Archives, Motion picture
/ Audiences
/ Cooperation
/ Culture
/ Democracy
/ Dictators
/ Film criticism
/ Film schools
/ History
/ Motion picture directors & producers
/ Motion picture festivals
/ Motion picture film collections
/ Motion pictures
/ Policy sciences
/ Political aspects
/ Spanish culture
2025
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Policies and Cinephilia: The First Three Decades of the Spanish National Film Archives Filmoteca
by
Arenas, Fernando Ramos
in
20th century
/ Archival resources
/ Archives & records
/ Archives, Motion picture
/ Audiences
/ Cooperation
/ Culture
/ Democracy
/ Dictators
/ Film criticism
/ Film schools
/ History
/ Motion picture directors & producers
/ Motion picture festivals
/ Motion picture film collections
/ Motion pictures
/ Policy sciences
/ Political aspects
/ Spanish culture
2025
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Do you wish to request the book?
Policies and Cinephilia: The First Three Decades of the Spanish National Film Archives Filmoteca
by
Arenas, Fernando Ramos
in
20th century
/ Archival resources
/ Archives & records
/ Archives, Motion picture
/ Audiences
/ Cooperation
/ Culture
/ Democracy
/ Dictators
/ Film criticism
/ Film schools
/ History
/ Motion picture directors & producers
/ Motion picture festivals
/ Motion picture film collections
/ Motion pictures
/ Policy sciences
/ Political aspects
/ Spanish culture
2025
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Policies and Cinephilia: The First Three Decades of the Spanish National Film Archives Filmoteca
Journal Article
Policies and Cinephilia: The First Three Decades of the Spanish National Film Archives Filmoteca
2025
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Overview
The article examines the history of the Spanish National Film Archives, Filmoteca, from its inception in 1953 until its institutional stabilization in the 1980s. Filmoteca was an official body, integrated within the Spanish state, both during the dictatorship and in the democratic years that followed. But it was also—and this is the interpretation that this article highlights—an institution deeply intertwined with the possibilities and limitations of the Spanish film culture of the time. State policies, cinephile activism, individual engagement, and governmental intervention came together to shape its history and especially its institutional reinvention during the 1970s.
Publisher
Indiana University Press
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