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FLIGHTS OF FANCY: CODES AND KEYS IN HOWELLS
by
Pike, Lionel
in
Arpeggios
/ Classical music
/ Composers
/ Counterpoint
/ Fugues
/ Howells, Herbert
/ Insect flight
/ Musical criticism
/ Musical intervals
/ Musical keys
/ Octaves
/ Tonal centrism
/ Tonal harmony
2008
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FLIGHTS OF FANCY: CODES AND KEYS IN HOWELLS
by
Pike, Lionel
in
Arpeggios
/ Classical music
/ Composers
/ Counterpoint
/ Fugues
/ Howells, Herbert
/ Insect flight
/ Musical criticism
/ Musical intervals
/ Musical keys
/ Octaves
/ Tonal centrism
/ Tonal harmony
2008
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Journal Article
FLIGHTS OF FANCY: CODES AND KEYS IN HOWELLS
2008
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Overview
The composer Robert Simpson was a pupil of Herbert Howells, studying with him for the D.Mus which he took at Durham University in 1951. This was the time of the St Pauls' Service, when Howells was nearly 60 and Simpson just 30. Simpson took no composition lessons with Howells, but had tuition from him in counterpoint. Simpson told me that one day he had written a fugue on a subject of his own devising, and he took it along to Howells with not a little pride in his achievement. Howells looked at the fugue, said nothing, and then took out a fountain pen and, as Simpson put it wrote a complete fugue there and then, in his beautifully fastidious hand, as fluently and easily as if he was writing a letter, exploring all the intervals and implications of my subject in a way that I had not thought possible.
Publisher
Cambridge University Press
Subject
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