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Palomar and Beyond: An Interview with Gilbert Hernandez
by
Royal, Derek Parker
in
Animators
/ Cartoonists
/ Cartoons
/ Comic books
/ Conversation
/ Cultural factors
/ Graphic novels
/ Hernandez, Gilbert
/ Hispanics
/ Interviews
/ Literary characters
/ Movies
/ Philosophy
/ Popular culture
/ Publishing industry
/ Roth, Philip
/ Siblings
/ Soups
/ Teachers
/ Writing
2007
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Palomar and Beyond: An Interview with Gilbert Hernandez
by
Royal, Derek Parker
in
Animators
/ Cartoonists
/ Cartoons
/ Comic books
/ Conversation
/ Cultural factors
/ Graphic novels
/ Hernandez, Gilbert
/ Hispanics
/ Interviews
/ Literary characters
/ Movies
/ Philosophy
/ Popular culture
/ Publishing industry
/ Roth, Philip
/ Siblings
/ Soups
/ Teachers
/ Writing
2007
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Do you wish to request the book?
Palomar and Beyond: An Interview with Gilbert Hernandez
by
Royal, Derek Parker
in
Animators
/ Cartoonists
/ Cartoons
/ Comic books
/ Conversation
/ Cultural factors
/ Graphic novels
/ Hernandez, Gilbert
/ Hispanics
/ Interviews
/ Literary characters
/ Movies
/ Philosophy
/ Popular culture
/ Publishing industry
/ Roth, Philip
/ Siblings
/ Soups
/ Teachers
/ Writing
2007
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Journal Article
Palomar and Beyond: An Interview with Gilbert Hernandez
2007
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Overview
In 1981 he, along with his brothers Jaime and Mario, self-published a highly eclectic and off-beat comic book, Love and Rockets, a work that quickly caught the attention of the Seattle-based publisher of comic art, Fantagraphics Books. Over its fourteen-year run, Love and Rockets exemplified what alternative comics, and comic books in general, could actually achieve. Hernandez has spent the better part of his career fleshing out the personal histories that populate Palomar, most notably those of Chelo, the town's aggressive female sheriff; Pipo, a striking and confident entrepreneur who creates her own line of clothing and eventually her own media empire; and Heralcio, a school teacher with a flair for philosophy and a passion for Gabriel Garcia Marquez and Franz Kafka. What follows is the result of a phone conversation, along with a series of email-based correspondences in early 2007, in which we discussed his Palomar stories, the significance of Love and Rockets, the influence of popular culture on his writing, and the social function of graphic artists who take on the issues of ethnicity, class, and gender in their work.
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