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Puppets and Machines of the Mind: Robert Lepage and the Modernist Heritage
by
INNES, CHRISTOPHER
in
Canadian literature
/ Cocteau, Jean (1889-1963)
/ Cultural heritage
/ French language
/ French literature
/ Lepage, Robert (1957- )
/ Performance art
/ Personal profiles
/ Postmodernism
/ Puppetry
/ Theater
/ Zulu language
2005
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Puppets and Machines of the Mind: Robert Lepage and the Modernist Heritage
by
INNES, CHRISTOPHER
in
Canadian literature
/ Cocteau, Jean (1889-1963)
/ Cultural heritage
/ French language
/ French literature
/ Lepage, Robert (1957- )
/ Performance art
/ Personal profiles
/ Postmodernism
/ Puppetry
/ Theater
/ Zulu language
2005
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Do you wish to request the book?
Puppets and Machines of the Mind: Robert Lepage and the Modernist Heritage
by
INNES, CHRISTOPHER
in
Canadian literature
/ Cocteau, Jean (1889-1963)
/ Cultural heritage
/ French language
/ French literature
/ Lepage, Robert (1957- )
/ Performance art
/ Personal profiles
/ Postmodernism
/ Puppetry
/ Theater
/ Zulu language
2005
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Puppets and Machines of the Mind: Robert Lepage and the Modernist Heritage
Journal Article
Puppets and Machines of the Mind: Robert Lepage and the Modernist Heritage
2005
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Overview
The work of Robert Lepage is examined in the context of the avant-garde, from Robert Wilson and Peter Brook, through the French Surrealists, back to Edward Gordon Craig. As well as being an icon of post-modernism, analysis of productions such as Needles and Opium, Elsinore and Zulu Time show the degree to which Lepage has realized Craig's ideals of the Übermarionette, and his screens, as well as ‘Scene’, his concept of a flexible, mechanized performance space. What this demonstrates is the unity of the modernist movement throughout the twentieth century.
Publisher
Cambridge University Press
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