Asset Details
MbrlCatalogueTitleDetail
Do you wish to reserve the book?
On the Conception and Measure of Consonance
by
Wand, Alex
in
Consonant intervals
/ Mathematical intervals
/ Music
/ Musical consonance
/ Musical intervals
/ Overtones
/ Perception
/ Perfect intervals
/ Ratios
/ Sensory perception
/ Sound
/ Sound pitch
/ Tonal theory
/ Wands
2012
Hey, we have placed the reservation for you!
By the way, why not check out events that you can attend while you pick your title.
You are currently in the queue to collect this book. You will be notified once it is your turn to collect the book.
Oops! Something went wrong.
Looks like we were not able to place the reservation. Kindly try again later.
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
Do you wish to request the book?
On the Conception and Measure of Consonance
by
Wand, Alex
in
Consonant intervals
/ Mathematical intervals
/ Music
/ Musical consonance
/ Musical intervals
/ Overtones
/ Perception
/ Perfect intervals
/ Ratios
/ Sensory perception
/ Sound
/ Sound pitch
/ Tonal theory
/ Wands
2012
Please be aware that the book you have requested cannot be checked out. If you would like to checkout this book, you can reserve another copy
We have requested the book for you!
Your request is successful and it will be processed during the Library working hours. Please check the status of your request in My Requests.
Oops! Something went wrong.
Looks like we were not able to place your request. Kindly try again later.
Journal Article
On the Conception and Measure of Consonance
2012
Request Book From Autostore
and Choose the Collection Method
Overview
What makes a musical interval consonant? Since the early Greeks, there have been two contrasting views: an \"objective\" approach, focusing on the mathematical relationship of frequencies, and a \"subjective\" approach, emphasizing auditory perception. These approaches are reviewed, as are several proposed measures of consonance. The author then presents a composition that uses intervals that are rated highly by the measures of consonance but are outside the scales of Western music and so are subjectively unfamiliar. The goal is to see whether, via repetition and other devices for overcoming unfamiliarity, the consonance of these intervals can be conveyed.
Publisher
The MIT Press,MIT Press,MIT Press Journals, The
Subject
This website uses cookies to ensure you get the best experience on our website.