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The Goncourts, Gustave Planche, and Antoine-Louis Barye's \Un Jaguar dévorant un lièvre\
by
SIMMS, MATTHEW T.
in
19th century
/ Animal sculpture
/ Animals
/ Art criticism
/ Art exhibitions
/ Barye, Antoine-Louis
/ Bronzes
/ Centaurs
/ Criticism and interpretation
/ France
/ French speaking and English speaking literatures
/ French speaking literatures
/ General points
/ Goncourt, Edmond de
/ Goncourt, Jules de
/ History and sciences of litterature
/ History of literature
/ Humans
/ Jaguars
/ Naturalism
/ Planche, Gustave
/ Portrayals
/ Sculptors
/ Sculpture
2009
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The Goncourts, Gustave Planche, and Antoine-Louis Barye's \Un Jaguar dévorant un lièvre\
by
SIMMS, MATTHEW T.
in
19th century
/ Animal sculpture
/ Animals
/ Art criticism
/ Art exhibitions
/ Barye, Antoine-Louis
/ Bronzes
/ Centaurs
/ Criticism and interpretation
/ France
/ French speaking and English speaking literatures
/ French speaking literatures
/ General points
/ Goncourt, Edmond de
/ Goncourt, Jules de
/ History and sciences of litterature
/ History of literature
/ Humans
/ Jaguars
/ Naturalism
/ Planche, Gustave
/ Portrayals
/ Sculptors
/ Sculpture
2009
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The Goncourts, Gustave Planche, and Antoine-Louis Barye's \Un Jaguar dévorant un lièvre\
by
SIMMS, MATTHEW T.
in
19th century
/ Animal sculpture
/ Animals
/ Art criticism
/ Art exhibitions
/ Barye, Antoine-Louis
/ Bronzes
/ Centaurs
/ Criticism and interpretation
/ France
/ French speaking and English speaking literatures
/ French speaking literatures
/ General points
/ Goncourt, Edmond de
/ Goncourt, Jules de
/ History and sciences of litterature
/ History of literature
/ Humans
/ Jaguars
/ Naturalism
/ Planche, Gustave
/ Portrayals
/ Sculptors
/ Sculpture
2009
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The Goncourts, Gustave Planche, and Antoine-Louis Barye's \Un Jaguar dévorant un lièvre\
Journal Article
The Goncourts, Gustave Planche, and Antoine-Louis Barye's \Un Jaguar dévorant un lièvre\
2009
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Overview
In their review of the Salon of 1852, the Goncourt brothers celebrate Barye's Jaguar dévorant un lièvre. Their enthusiasm, however, is in striking contrast to the skepticism voiced by many critics concerning the place of la sculpture animalière in the annual Salons. In an important article published just a year before the Goncourts' review, the critic Gustave Planche sought to rescue Barye by describing his career as a progressive move away from naturalistic animal themes and toward idealized subjects drawn from classical tradition. The Goncourts reverse the terms of Planches logic, arguing that the zoological naturalism of Barye's Jaguar dévorant un lièvre represents not a liability to be overcome, but rather participates in what they term \"l'evolution de l'art moderne.\"
Publisher
The University of Nebraska Press,University of Nebraska Press
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