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‘Untruss a Point’—Interiority, Sword Combat, and Gender in The Roaring Girl
‘Untruss a Point’—Interiority, Sword Combat, and Gender in The Roaring Girl
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‘Untruss a Point’—Interiority, Sword Combat, and Gender in The Roaring Girl
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‘Untruss a Point’—Interiority, Sword Combat, and Gender in The Roaring Girl
‘Untruss a Point’—Interiority, Sword Combat, and Gender in The Roaring Girl
Journal Article

‘Untruss a Point’—Interiority, Sword Combat, and Gender in The Roaring Girl

2018
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Overview
This article discusses the critical apparatus surrounding Dekker and Middleton’s wellknown play The Roaring Girl. While previous discussions of the text have focused mostly on Moll’s cross-dressing, I instead look at Moll’s sword skills to show how the lascivious behaviour of London’s men produces her gender performance, which seems unruly by early modern standards. I also examine other rituals of gender construction that texture previous analyses of Moll.
Publisher
Early Theatre: A Journal Associated with the Records of Early English Drama (ET/REED),Early Theatre,McMaster University Press