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Between the Cracks: The Performance of English-Language Opera in Late Nineteenth-Century America
by
Preston, Katherine K.
in
American English
/ Business structures
/ English language
/ History
/ Language history
/ Music
/ Musical performance
/ Musicology
/ Opera
/ Opera houses
/ Operas
/ Operettas
/ Performing artists
/ Singers
/ Theater
/ Theater companies
/ United States history
2003
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Between the Cracks: The Performance of English-Language Opera in Late Nineteenth-Century America
by
Preston, Katherine K.
in
American English
/ Business structures
/ English language
/ History
/ Language history
/ Music
/ Musical performance
/ Musicology
/ Opera
/ Opera houses
/ Operas
/ Operettas
/ Performing artists
/ Singers
/ Theater
/ Theater companies
/ United States history
2003
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Do you wish to request the book?
Between the Cracks: The Performance of English-Language Opera in Late Nineteenth-Century America
by
Preston, Katherine K.
in
American English
/ Business structures
/ English language
/ History
/ Language history
/ Music
/ Musical performance
/ Musicology
/ Opera
/ Opera houses
/ Operas
/ Operettas
/ Performing artists
/ Singers
/ Theater
/ Theater companies
/ United States history
2003
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Between the Cracks: The Performance of English-Language Opera in Late Nineteenth-Century America
Journal Article
Between the Cracks: The Performance of English-Language Opera in Late Nineteenth-Century America
2003
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Overview
Preston examines the unknown, and somewhat paradoxical, place of English-language of opera continued to function, as it had before the Civil War, as an important part of the American popular stage, and that its growing identification as opera for the people was a deliberate response to the increasing perception of foreign-laguage opera as aristocratic.
Publisher
Society for American Music and the University of Illinois Press,University of Illinois Press
Subject
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