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What's Wrong with this Picture? Image-Ethics in Christian Petzold's Films
by
Buhanan, Kurt
in
Aesthetic Education
/ Ambiguity
/ Christian Petzold
/ Christianity
/ Christians
/ contemporary film
/ Criticism and interpretation
/ Dialectics
/ Essays
/ Ethical aspects
/ Ethics
/ Filmmakers
/ Imagery
/ Intelligibility
/ Mass media images
/ Motion pictures
/ Motion pictures, German
/ Mythology
/ Negotiation
/ Petzold, Christian
/ Reading
/ Resistance (Psychology)
/ Resnais, Alain
/ Works
2016
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What's Wrong with this Picture? Image-Ethics in Christian Petzold's Films
by
Buhanan, Kurt
in
Aesthetic Education
/ Ambiguity
/ Christian Petzold
/ Christianity
/ Christians
/ contemporary film
/ Criticism and interpretation
/ Dialectics
/ Essays
/ Ethical aspects
/ Ethics
/ Filmmakers
/ Imagery
/ Intelligibility
/ Mass media images
/ Motion pictures
/ Motion pictures, German
/ Mythology
/ Negotiation
/ Petzold, Christian
/ Reading
/ Resistance (Psychology)
/ Resnais, Alain
/ Works
2016
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Do you wish to request the book?
What's Wrong with this Picture? Image-Ethics in Christian Petzold's Films
by
Buhanan, Kurt
in
Aesthetic Education
/ Ambiguity
/ Christian Petzold
/ Christianity
/ Christians
/ contemporary film
/ Criticism and interpretation
/ Dialectics
/ Essays
/ Ethical aspects
/ Ethics
/ Filmmakers
/ Imagery
/ Intelligibility
/ Mass media images
/ Motion pictures
/ Motion pictures, German
/ Mythology
/ Negotiation
/ Petzold, Christian
/ Reading
/ Resistance (Psychology)
/ Resnais, Alain
/ Works
2016
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What's Wrong with this Picture? Image-Ethics in Christian Petzold's Films
Journal Article
What's Wrong with this Picture? Image-Ethics in Christian Petzold's Films
2016
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Overview
Through an analysis of Christian Petzold's films, this essay argues that there is an ethical dimension to images. The cinema of Christian Petzold is an important instance of the ethical function of images because it constantly negotiates and renegotiates the ethical intelligibility of the image and the ethical claims that images make on us. The essay's argument is developed in three stages: first, it outlines the theoretical concept of an image-ethics of dilemma, centering on the essential ambiguity of images; second, it briefly considers the function of particular multistable images in Petzold's cinema and their role in ordering representation in his films; and, finally, it offers a close analysis of Petzold's recent film Barbara (2012).
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